by Monique Domovitch ‧ RELEASE DATE: Oct. 18, 2011
A rather stale continuation of the engaging love story introduced in Domovitch’s previous novel.
Domovitch’s sequel to Scorpio Rising (2011) continues the love story of Alex and Brigitte, this time in America.
When Alex Ivanov returns to New York from Paris with his new bride, Brigitte, and her young son, David, his ambition and lust for power threaten their happiness. Once a penniless aspiring architect whose job fell victim to the scheming of a fellow employee, Alex begins to find success in real estate development; through his ruthlessness and daring, he soon becomes a wealthy, powerful developer. Realizing that her own promising career as a painter is incompatible with Alex’s ambition to break into high society, Brigitte gives up art and devotes herself to helping her husband, despite his growing aloofness. As the years pass, Alex begins grooming David to become his successor, without consideration for David’s own artistic inclinations and disregard for material wealth. In denial of Alex’s prolific, indiscreet philandering, Brigitte continues to efface herself in service to her husband—to both her and her son’s detriment. Though Alex achieves success beyond most people’s wildest dreams, it never seems to be enough; he begins to overreach, taking on increasingly risky projects that threaten to bankrupt his company. While Alex deals with a personal tragedy and an increasingly fractured marriage, the company’s precarious position is threatened even further. Alex now stands to lose everything, even his family. Unfortunately, the sequel is weaker than the original title. Alex’s megalomania and Brigitte’s rejection of her own goals are rendered too simplistically to be compelling. David is hardly developed as a character, despite his importance to the plot. Brigitte’s passivity throughout the novel comes as a disappointment; she’s much less dynamic than she was in the first book, so the deterioration of her marriage is less affecting than it could have been. Alex’s seamless rise from poverty to social prominence strains credibility at times, and the depiction of his business dealings is rather unsophisticated. One problem may be that the novel spans more years than its predecessor, whereby few events or emotional developments are explored in enough detail to provide the depth that could save the plot from cliché.
A rather stale continuation of the engaging love story introduced in Domovitch’s previous novel.Pub Date: Oct. 18, 2011
ISBN: 978-1466242340
Page Count: 328
Publisher: CreateSpace
Review Posted Online: June 4, 2012
Review Program: Kirkus Indie
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BOOK REVIEW
by Stephen King ‧ RELEASE DATE: Sept. 1, 1986
King's newest is a gargantuan summer sausage, at 1144 pages his largest yet, and is made of the same spiceless grindings as ever: banal characters spewing sawdust dialogue as they blunder about his dark butcher shop. The horror this time out is from beyond the universe, a kind of impossible-to-define malevolence that has holed up in the sewers under the New England town of Derry. The It sustains itself by feeding on fear-charged human meat—mainly children. To achieve the maximum saturation of adrenalin in its victims, It presents itself sometimes as an adorable, balloon-bearing clown which then turns into the most horrible personal vision that the victims can fear. The novel's most lovingly drawn settings are the endless, lightless, muck-filled sewage tunnels into which it draws its victims. Can an entire city—like Derry—be haunted? King asks. Say, by some supergigantic, extragalactic, pregnant spider that now lives in the sewers under the waterworks and sends its evil mind up through the bathtub drain, or any drain, for its victims? In 1741, everyone in Derry township just disappeared—no bones, no bodies—and every 27 years since then something catastrophic has happened in Derry. In 1930, 170 children disappeared. The Horror behind the horrors, though, was first discovered some 27 years ago (in 1958, when Derry was in the grip of a murder spree) by a band of seven fear-ridden children known as the Losers, who entered the drains in search of It. And It they found, behind a tiny door like the one into Alice's garden. But what they found was so horrible that they soon began forgetting it. Now, in 1985, these children are a horror novelist, an accountant, a disc jockey, an architect, a dress designer, the owner of a Manhattan limousine service, and the unofficial Derry town historian. During their reunion, the Losers again face the cyclical rebirth of the town's haunting, which again launches them into the drains. This time they meet It's many projections (as an enormous, tentacled, throbbing eyeball, as a kind of pterodactyl, etc.) before going through the small door one last time to meet. . .Mama Spider! The King of the Pulps smiles and shuffles as he punches out his vulgarian allegory, but he too often sounds bored, as if whipping himself on with his favorite Kirin beer for zip.
Pub Date: Sept. 1, 1986
ISBN: 0451169514
Page Count: 1110
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Aug. 15, 1986
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by Stephen King
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BOOK TO SCREEN
by Yann Martel ‧ RELEASE DATE: June 1, 2001
A fable about the consolatory and strengthening powers of religion flounders about somewhere inside this unconventional coming-of-age tale, which was shortlisted for Canada’s Governor General’s Award. The story is told in retrospect by Piscine Molitor Patel (named for a swimming pool, thereafter fortuitously nicknamed “Pi”), years after he was shipwrecked when his parents, who owned a zoo in India, were attempting to emigrate, with their menagerie, to Canada. During 227 days at sea spent in a lifeboat with a hyena, an orangutan, a zebra, and a 450-pound Bengal tiger (mostly with the latter, which had efficiently slaughtered its fellow beasts), Pi found serenity and courage in his faith: a frequently reiterated amalgam of Muslim, Hindu, and Christian beliefs. The story of his later life, education, and mission rounds out, but does not improve upon, the alternately suspenseful and whimsical account of Pi’s ordeal at sea—which offers the best reason for reading this otherwise preachy and somewhat redundant story of his Life.
Pub Date: June 1, 2001
ISBN: 0-15-100811-6
Page Count: 336
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
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