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STONE DANCER

British TV writer Smith's second foray into the world of international intrigue is built around the plot of a master counterfeiter to hold the US dollar for ransom and the plans of an unreconstructed KGB splinter group to turn his effort to their own purposes. Smith develops the action along three plotlines. Top British spy David Jardine's career is foundering, partially as the result of events in the first book (Devil's Juggler, 1993). He is therefore delighted to rush to Beirut when he receives a distress signal from an undercover agent he once recruited. But what he finds is that she has been a Mossad double agent all along, and he is informed of an impending financial assault by a legendary, and deadly, Israeli spook. Danny Davidov, a Mossad agent who was kicked out for skimming money off the top of an illegal funding operation, is behind the counterfeit scheme. He has pulled off several successful scams around the world already and, together with his partner, ex-KGB agent Nikolai Kolosov, is in the last stages of setting up his brilliant final caper. Meanwhile, in the States, a partially botched Secret Service sting operation brings Davidov to the attention of the Treasury Department, especially to the sharp eyes of Legal Department whiz Nancy Lucco (whose policeman husband was murdered in the first novel). Suspecting that he is dealing with a rogue element of the Mossad, a wary Jardine travels to Moscow and learns that Kolosov is actually in the employ of an ``old guard'' Communist faction dedicated to the overthrow of the new Russian government. What better way to achieve their ends than to utilize Davidov's scheme, not for ransom, but to wipe out the US economy and provoke worldwide financial disaster? A wild card in all this is the Mafia, more than a little unhappy about having been scammed themselves. Nicely cynical, with satisfying twists and turns. (Book-of- the-Month Club selection)

Pub Date: Nov. 1, 1994

ISBN: 0-671-78485-4

Page Count: 384

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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