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ARABIAN NIGHTS AND DAYS

An austerely modern reworking of The Thousand and One Nights — the most magical work yet set into English by Egyptian Nobel laureate Mahfouz (The Harafish, 1994, etc.). Although these intertwined fables are, like the volume that inspired them, set in the past, they deal with all-too-modern consequences of fairy-tale adventures. In "Nur Al-Din and Dunyazad," peerless storyteller Shahrzad's sister dreams of the perfume seller and wakens to find herself pregnant by him, with all the contemporary burdens of unwanted pregnancy. In "Sanaan al-Gamali," a merchant, purchasing his life from a genie he has crossed, is ordered to kill the corrupt governor; but when Sanaan goes to see him, the governor, every inch the modern wheeler-dealer, asks if he can marry Sanaan's daughter, offers his own daughter as a bride for Sanaan's son, and announces his plan to sign an enormous contract with one of Sanaan's relatives. In "The Cap of Invisibility," a righteous man accepts a magical gift on the condition that he be allowed to do "anything except what [his] conscience dictates"; he then faces moral dilemmas the original Arabian Nights never dreamed of. This is a world of endless transformations: A buried girl is brought back to life; after being executed, a governor is reincarnated as a porter and finds himself wooing his own wife; a sultan passes into an otherworldly domain of love and bliss in which he can't remain. The only certainties are the cruel whims of the genies ("The best would be if she were to be killed, and her father were to commit suicide," muses one of them) and the ritual executions of corrupt governors, private secretaries, chiefs of police. The obvious comparison in English is John Barth's Chimera — but Mahfouz's greater faith in old-fashioned narrative allows him to weave modernist psychology and legendary rhetoric, making his Arabian Nights both disturbing and spellbinding.

Pub Date: Jan. 1, 1995

ISBN: 0-385-46888-1

Page Count: 304

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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