While the retelling of the Stevensons' lives is rather pedestrian, Robert Louis Stevenson comes through as utterly...
Horan (Loving Frank, 2007) offers another fictionalized romantic biography, this time of Robert Louis Stevenson and his American wife, Fanny.
In 1875, 35-year-old Fanny Osbourne arrives in Europe with her three children—16-year-old Belle, 7-year-old Sammy and 3-year-old Hervey—ostensibly to study art but really to escape Sam, her perpetually unfaithful husband. After Hervey dies of tuberculosis in Paris, grieving Fanny decamps to a rural inn, where she encounters "Louis." He has been hiking the countryside alone, despite fragile health, to celebrate earning a law degree to please his father, although he plans never to practice law. For Louis, 10 years Fanny’s junior, it is love at first sight. Initially, she resists—he is too boisterous and sickly—but she is eventually won over, as every reader will be, by his love of life and pure spirit as well as his genius. They live happily more or less together in Paris until Sam arrives from California and begs Fanny to reconcile. For the sake of her kids, Fanny returns to the U.S., but soon, Sam begins philandering again. Meanwhile, Louis has taken his famous donkey ride in the Cévennes, then heads to California to win Fanny back, arriving at her doorstep deathly ill from his arduous journey. Sam agrees to a divorce, and the lovers marry in 1880; Fanny is 40, Louis 29. While Louis’ parents accept her as family, his literary friends, with the exception of the stalwart Henry James, consider her an American rube and are increasingly jealous of Louis’ success. The Stevensons begin a life of travel: Scotland, Switzerland, France, Bournemouth, Colorado, the South Seas. Frequently bedridden, Louis is always writing, and this novel shows the germinating seeds of his classic works.
While the retelling of the Stevensons' lives is rather pedestrian, Robert Louis Stevenson comes through as utterly irresistible.Pub Date: Jan. 21, 2014
ISBN: 978-0-345-51653-4
Page Count: 496
Publisher: Ballantine
Review Posted Online: Oct. 19, 2013
Kirkus Reviews Issue: Nov. 1, 2013
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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