Not self-help by any stretch, but it will be of interest to anyone recently touched by death.

A TROUBLED GUEST

LIFE AND DEATH STORIES

A series of personal essays about death, by someone who has seen more than her share of it recently and who, due to her own advancing multiple sclerosis, has reason to contemplate her own.

As she’s done throughout her earlier work (Waist High in the World, 1997, etc.), Mairs draws on her own often harrowing experience to illuminate a subject Americans find difficult to confront: in this case, death. As she puts it at the start, “few seem capable of contemplating their own end . . . I thought I might try.” In clear, unaffected prose that quickly establishes—along with her candor—an intimacy with the reader, Mairs begins by explaining her feelings toward her own impending death. At this point, her MS has confined her to a wheelchair, rendering even the simplest things, such as using the toilet, major undertakings. As someone who views death as both a natural condition of life and who also believes that the essence of a person survives death in some form, Mairs appears to have attained an enviable equanimity respecting her own mortality. Yet even she concedes that the prospect awakes a nostalgia for those pleasures that make us human, like the “bob and snuffle of a newborn’s head against a shoulder.” As she puts it, “I find myself overcome with grief for a slew of ‘nevers’ and ‘never agains.’ ” Despite the obvious loss that death entails, Mairs urges us to confront it openly and without fear. Those mourning loved ones, for instance, suffer when their friends, out of a misguided sense of politeness or simple embarrassment, fail to acknowledge the death with anything more than a mumbled platitude. In a similar vein, Mairs warns that death with dignity is possible, but only if death is contemplated in advance so that the end, particularly with respect to medical intervention, can be controlled.

Not self-help by any stretch, but it will be of interest to anyone recently touched by death.

Pub Date: Oct. 15, 2001

ISBN: 0-8070-6248-0

Page Count: 240

Publisher: Beacon Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2001

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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