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YOUR MOUTH IS LOVELY

The rare woman revolutionary has her day in a story written with tremendous conviction and feeling.

Canadian novelist Richler (Throw Away Angels, not reviewed) fashions a tale of lyric historical suspense out of a Jewish girl’s life—from her stunted beginnings in a late-19th-century Belarussian village to her political arrest during the 1905 Russian Revolution.

From a harsh Siberian prison, in 1911, teenaged Miriam relates in flashback the sad story leading to her incarceration for life. Born in the dirt-poor shtetl on the swampy Pripet River, Miriam is doubly cursed: her mother walks into the sea after giving birth to her; and her forbidding stepmother, Tsila, leaves a death scar on her neck from slicing her trachea open when she suffers diphtheria as a child. (“Your mouth is lovely,” Tsila tells the child, teaching her to speak.) Miriam grows up under the sour, morbid teachings of Tsila, who scorns the town’s gossips and dreams of a better life outside of Russia. Pogroms descend on defenseless Jewish villages, and insurrection is in the air: by degrees, Miriam is drawn into secret political meetings and running errands for agitators. Sent to Kiev to find her aunt Bayla, who has run off with her suspect fiancé, Leib, Miriam suffers her first imprisonment for dropping pamphlets over the balcony at the opera; soon, thanks to Bayla’s lax supervision, she becomes a member of the Socialist movement. Although well educated and deeply committed, Miriam is young and falls sway to more forceful personalities, like Leib, who seduces her irresponsibly; as a result, her final imprisonment feels arbitrary and unreal. Richler has done admirable research (she lists reams of sources in the back); her novel’s strength lies in the quietly assured detail of Miriam’s peasant family beginnings. The revolutionaries, inevitably, spout rather uninteresting slogans, and the ending rushes to a neat conclusion.

The rare woman revolutionary has her day in a story written with tremendous conviction and feeling.

Pub Date: Nov. 8, 2002

ISBN: 0-06-009677-2

Page Count: 368

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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