by Naomi Ragen ‧ RELEASE DATE: Sept. 24, 2019
The Sound of Music meets Fiddler on the Roof, but without the singing.
In her latest novel, Ragen (The Devil in Jerusalem, 2015, etc.) asks why a secular Jewish woman might join an Orthodox community and whether it would be possible for her to find not only acceptance, but family.
The daughter of a godless single mother who ran away from her own Orthodox Jewish upbringing as a teenager, Leah (born Lola) has been searching for religious meaning most of her life. After two serious romances end disastrously, she becomes a baalas teshuva (“possessor of repentance”) in the Orthodox neighborhood of Boro Park, Brooklyn. Her goal is to learn the customs and philosophies of her ancestors but also to find a good man and start a family—like the one of recent widower Yaakov Lehman, whose children she begins caring for. She doesn't know the prejudice she's up against. Yaakov is struggling as well. It would be frowned upon for him to leave his full-time Talmudic studies to make money, even if he had the skills to do so. Other skills he does not possess, by design, are housekeeping and child-rearing; both have fallen to his 15-year-old daughter, Shaindele. Will Yaakov and Leah find happiness? Of course. But first there must be hurdles. These come in the form of many terrible dates (for each of them) with outsized, terrible characters, courtesy of the local matchmakers. Shaindele, hurting and overburdened, throws some roadblocks at them, aided in part by Yaakov’s mother-in-law, who acts as a window into the community and the threat it feels from outsiders. Additional chapters go into too much detail about Leah’s overstuffed, overcomplicated backstory (while still leaving out entire referred-to chunks, like time spent living in Israel) but serve the purpose of delaying the inevitable until the admittedly sweet ending.
The Sound of Music meets Fiddler on the Roof, but without the singing.Pub Date: Sept. 24, 2019
ISBN: 978-1-250-16122-2
Page Count: 336
Publisher: St. Martin's
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by C.S. Lewis ‧ RELEASE DATE: Jan. 1, 1942
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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