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THE LOVEBIRD

Self-important pretensions don’t deepen the shallow emotional waters in which these predictable characters swim. Brown is no...

In Brown’s first novel, an impressionable young woman drifts into animal rights terrorism, goes on the lam and reinvents herself with the help of noble Native Americans and true love.

After her Lebanese-born mother dies in childbirth, Margie grows up under the gentle but distant care of her usually drunk father. A waiflike beauty, she is so sensitive that her left ovary aches when she is stressed. As a lonely college freshman, she falls in love with her Latin professor, Simon, a middle-aged widower with a motherless 7-year-old daughter. Simon introduces her both to sexual passion and to the animal rights movement through his organization H.E.A.R.T., which pulls off small illegal acts like freeing birds from their pet-store cages to protest for animal rights. Then Simon dumps Margie and quits H.E.A.R.T., suggesting to the group’s typically quirky and diverse members that they put Margie in charge. For a girl who is always sighing about her shyness, Margie has no trouble dancing naked at a party or leading H.E.A.R.T. to burn down a restaurant that proudly serves exotic meat. No one is hurt, but afterward, an undercover policeman nabs Margie, not for arson, but for incendiary speech, when she gives an educational lecture on how to commit arson to prospective H.E.A.R.T. members. Before her trial date, H.E.A.R.T. member Bumble helps her flee to Montana, where she hides out with an Indian family whose matriarch, Granma, was friends with Bumble’s mother back during the AIM uprisings in the 1960s. Now, Granma lives off the land with her granddaughter Cora, whose mother is in jail for drugs, and with Cora’s dad, Jim, who works at a printing company. Soon enough, Granma and Jim have given Margie a new appreciation of nature and an understanding of the spiritual relationship that can exist between humans and the animals they hunt for food. Then Simon shows up and forces Margie to decide where she really belongs.

Self-important pretensions don’t deepen the shallow emotional waters in which these predictable characters swim. Brown is no Louise Erdrich.

Pub Date: June 18, 2013

ISBN: 978-0-385-53675-2

Page Count: 336

Publisher: Doubleday

Review Posted Online: May 13, 2013

Kirkus Reviews Issue: June 1, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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