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DARK PRAYER

A brainy, fast-moving thriller about memory and identity.

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Tasked with investigating a young woman who has forgotten her identity, a man uncovers connections to a secret society.

“Tycoon’s son in brawl,” reads the caption accompanying a photo of Jack Simonetti’s latest escapade. Young, handsome, idle and dependent on his father Leon’s wealth, Jack has no recourse when ordered from New York to London to help out Leon’s old friend Daniel Barone, whose ward, Jenilee, disappeared and lost her memory. Found after more than two years (and now calling herself Eloise Blake), she wants nothing to do with her well-appointed old life; instead, she prefers the dangerous game of living by her wits and practicing “free running,” or parcours. Also a parcoursist, Jack is enjoined by Barone to win Eloise’s trust and convince her to return home. Eloise is suspicious: She’s tormented by hallucinations, half-memories and obsessively remembered numbers, but after Jack saves her life, she accepts his aid. As the two investigate, they uncover links to a secret scientific/mystical society, the Order of Mnemosyne, whose members included Daniel, Leon and Eloise’s mother. The Order ran hubristic experiments that seem connected to Eloise’s current memory problems—but someone wants these memories to remain forgotten, putting her in danger. South African novelist Mostert (Season of the Witch, 2013, etc.) brings together fascinating strands of biology, psychology and mysticism, with astute observations on memory, the past, identity and love. The well-described parcours scenes nicely capture the sport’s dynamic flow—a perfect fit for Eloise’s live-in-the-moment ethos: “Never slow down. If a movement doesn’t work out, don’t agonise over the recovery; just move your body forward. Movement is life. That was what parkour was all about.” Jack’s development from self-centered rich kid to self-sacrificing lover is believably handled, paralleling his growing respect for Eloise’s right and ability to make her own decisions. Mostert skillfully ups the ante with suspenseful episodes of danger leading to a climactic rooftop scene.

A brainy, fast-moving thriller about memory and identity.

Pub Date: Oct. 16, 2014

ISBN: 978-1909965201

Page Count: 296

Publisher: Portable Magic Ltd

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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