An impressive debut by a storyteller with bountiful insight and assurance.
Though the Civil War is over when this novel opens, the threat of violence and the persistence of bigotry still loom over a Georgia town.
Somewhere between the Confederacy’s surrender at Appomattox and the beginning of Reconstruction, George Walker and his wife, Isabelle, live alone and emotionally estranged from each other on their family homestead just outside the village of Old Ox. They are mired in grief over the presumed death of their only son, Caleb, a missing Confederate soldier. At this low point in the Walkers’ lives, Prentiss and Landry, Black brothers freed from slavery, wander onto the couple’s barren land seeking little more than temporary shelter on their northbound trek in search of their mother, who was sold away from them in childhood. George reaches out to the two Black men for help in restoring his farmland with a peanut crop. In return, he offers to pay them whatever he can to help subsidize their journey. Warily, the brothers agree to George’s request, and eventually the three of them succeed in coaxing plants from the reluctant ground. Then one windy morning, Caleb returns home bearing an ugly facial scar and stories of his incarceration in a Union prison camp. What he doesn’t tell them is that he was beaten with a rifle butt by his captors because he’d deserted his own side and in the process, also deserted his wealthy boyhood friend and secret lover August Webler, now also a war veteran returned to Old Ox and soon to wed a local girl by a prearranged agreement. Despite his fury over Caleb’s betrayal and his impending marriage, August rekindles their romance, which sets off a series of tragic events involving murder, injustice, and, eventually, wholesale destruction. Throughout the tumult, all three members of the Walker family discover reserves of unexpected courage and resolve—and one can’t help believing that if most of the other characters carried within them the empathy and grace displayed by the author of this compelling postbellum saga, most of the awful things that happen to them and their immediate surroundings would have been avoided.
An impressive debut by a storyteller with bountiful insight and assurance.Pub Date: June 15, 2021
ISBN: 978-0-316-46127-6
Page Count: 368
Publisher: Little, Brown
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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