by Nathan Rabin ‧ RELEASE DATE: July 1, 2009
Alternately engaging, maddening, hilarious and excessive.
With pop culture as his guide, the head writer for The Onion A.V. Club reflects on his turbulent, angst-ridden youth.
In a tone-setting opening paragraph, Rabin fantasizes about his ideal funeral, which he imagines as a “wildly excessive tribute to me, me, me,” before concluding that “not even death’s sweet release can keep me from being self-indulgent and wasting everyone’s time.” His coming-of-age memoir affirms half this statement: It is self-absorbed, overly self-aware and occasionally self-pitying; it is not, however, a waste of time. Thanks to his acerbic voice and dark humor, the author transforms his miserable childhood and prolonged battles with depression into an improbably entertaining, even uplifting tale. When Rabin was 12, his father left his comfortable governmental job and relocated the family to Chicago, where they quickly tumbled into poverty. With his father unable to care for him, the author spent most of his high-school years in a group home for underprivileged adolescents, where he used pop culture as a refuge from his despair, familial neglect and sexual frustration. While the author’s personal struggles continued at the University of Wisconsin, he also happened to be in the right place at exactly the right time—the upstart satirical newspaper The Onion was still based in the college town. Once he joined the publication’s entertainment division, Rabin was able to put his undying love of pop culture to productive use. Oddly, it is when he begins to write for the A.V. Club that the memoir loses its momentum. His run-ins with celebrities are not particularly insightful, and the lengthy section that he devotes to his ill-fated television show, Movie Club, veers between wide-eyed naivety and condescension toward his fellow participants. Still, Rabin’s raw humor and infectious enthusiasm are more than enough to overcome the narrative dry spots.
Alternately engaging, maddening, hilarious and excessive.Pub Date: July 1, 2009
ISBN: 978-1-4165-5620-6
Page Count: 368
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2009
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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