Coleridge’s smashing epic delivers a wealth of entertainment.
Scandalous behavior, a scheming opportunist and the upper echelons of British society provide fodder for this irresistible rags-to-riches saga by Coleridge (Pride and Avarice, 2010, etc.), president of Condé Nast International.
Never down on her luck for long, Cath Fox is bold and single-minded in her ferocious pursuit of what—and whom—she wants. Her upward climb, which begins in the 1980s and spans 30 years, delivers prime-time soap appeal à la Dynasty as Cath, with her tattoos and earthy sex appeal, molds herself from punk rock raw to Alexis Carrington–chic and beyond. Before her 18th birthday, she has daughter Jess with a nightclub bouncer, catches him in a compromising position with her own mother and flees the slums of Portsmouth, England, with nary a backward glance. With chameleonlike ability, Cath creates new personas and plots/sleeps her way to the top. Her ascent from the fringes of society into the highest echelons is not always seamless, but Cath is wily and takes advantage of each opportunity. She works as an assistant matron at a private girls school, meets student Annabel Goode and launches into a doomed affair with Annabel’s father. Her skills and willingness to provide extra services as a “masseuse” result in a very brief engagement to Lord Charles Blaydon, an octogenarian whose final moment of bliss occurs during their private betrothal celebration. And Cath's stint working in a magazine house leads to a chance meeting with soccer star Ryan James, who becomes the first of her husbands and whose notoriety and riches whet her appetite for more. While Cath climbs to the social pinnacle of British society, Annabel’s life takes a more conventional route, though it’s not without its own share of tribulations, and Jess becomes a journalist after spending her childhood with a loving adoptive family. The three women’s lives intersect on different occasions over the years, which sets up a predictable, yet satisfying, conclusion. Throughout, the author adeptly balances the different threads, maintains a polished and briskly paced plot, and provides readers with a story that's an absolute delight.
Coleridge’s smashing epic delivers a wealth of entertainment.Pub Date: May 28, 2013
ISBN: 978-1-250-02825-9
Page Count: 368
Publisher: Dunne/St. Martin's
Review Posted Online: April 12, 2013
Kirkus Reviews Issue: May 1, 2013
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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