An adventure in perspective as well as plot, this unusual foray into schizophrenia should leave readers with a deeper...

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CHALLENGER DEEP

Fantasy becomes reality in an exploration of mental illness based partly on the experiences of the author's son, who is also the book’s illustrator.

For 14-year-old Caden Bosch, his gradual descent into schizophrenia is a quest to reach the bottom of Challenger Deep, the deepest place on Earth. In an internal reality that’s superimposed over Caden's real life—where his behavior slips from anxiety to hearing voices and compulsively obeying signage—an Ahab-like captain promises riches in exchange for allegiance, while his parrot urges mutiny for a chance at life ashore. Shusterman unmoors readers with his constant use of present tense and lack of transitions, but Caden's nautical hallucination-turned-subplot becomes clearer once his parents commit him to Seaview Hospital's psychiatric unit with its idiosyncratic crew of patients and staff. However, Caden's disorientation and others' unease also make the story chillingly real. Except in the heights of Caden's delusions, nothing is romanticized—just off-kilter enough to show how easily unreality acquires its own logic and wit. The illustrator, who has struggled with mental illness himself, charts the journey with abstract line drawings that convey Caden's illness as well as his insight. When the depths are revealed with a dream-logic twist and Caden chooses an allegiance, the sea becomes a fine metaphor for a mind: amorphous and tumultuous but ultimately navigable.

An adventure in perspective as well as plot, this unusual foray into schizophrenia should leave readers with a deeper understanding of the condition. (author's note) (Fiction. 14 & up)

Pub Date: April 21, 2015

ISBN: 978-0-06-113411-1

Page Count: 320

Publisher: HarperTeen

Review Posted Online: Jan. 20, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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An unpolished grab bag of incidents that tries to make a point about racial inequality.

I'M NOT DYING WITH YOU TONIGHT

Two teenage girls—Lena and Campbell—come together following a football game night gone wrong.

Campbell, who is white and new to Atlanta, now attends the school where Lena, who is black, is a queen bee. At a game between McPherson High and their rival, a racist slur leads to fights, and shots are fired. The unlikely pair are thrown together as they try to escape the dangers on campus only to find things are even more perilous on the outside; a police blockade forces them to walk through a dangerous neighborhood toward home. En route, a peaceful protest turns into rioting, and the presence of police sets off a clash with protestors with gruesome consequences. The book attempts to tackle racial injustice in America by offering two contrasting viewpoints via narrators of different races. However, it portrays black characters as violent and criminal and the white ones as excusably ignorant and subtly racist, seemingly redeemed by moments when they pause to consider their privileges and biases. Unresolved story arcs, underdeveloped characters, and a jumpy plot that tries to pack too much into too small a space leave the story lacking. This is not a story of friendship but of how trauma can forge a bond—albeit a weak and questionable one—if only for a night.

An unpolished grab bag of incidents that tries to make a point about racial inequality. (Fiction. 15-adult)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7889-2

Page Count: 272

Publisher: Sourcebooks Fire

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

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