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KICKFLIP BOYS

A MEMOIR OF FREEDOM, REBELLION, AND THE CHAOS OF FATHERHOOD

A highly candid memoir of parenthood that often fascinates and occasionally frustrates as the author tries to come to terms...

Permissive parenting clashes with adolescent rebellion amid the skateboarding subculture.

As the two skateboard-obsessed sons become increasingly disruptive to family harmony and the narrative proceeds from school discipline issues to pot-smoking defiance and legal skirmishes over trespassing and graffiti, it would seem that this is building toward a horrific climax. Thankfully for Thompson (A Curious Man: The Strange and Brilliant Life of Robert "Believe It or Not!" Ripley, 2013, etc.) and his family, the sons stepped back from the precipice toward the end of high school, straightened out, and found some sort of independent maturity. So what initially seemed like a cautionary tale turns out to be a rite-of-passage story. The lacerating power of some of the chapters comes from the author’s recognition that he has perhaps “become their enabler,” that he didn’t recognize where all this was leading until it was almost too late, and that his own teenage experiences with skateboarding and marijuana hadn’t prepared him for this brave new world. “If my 1970s skating had been a pastel-colored tableau, smooth like 1970s AM radio,” he writes, “the boys skated like a gray-hued mash-up of grunge, punk, and rap, all angsty and illegal.” Thompson also confesses to the insecurities of a writer whose career has stalled, who numbs himself with alcohol and has to hide the Xanax after his son tells him that it has become “the new heroin” among their crowd. Could this loving family have handled things differently? Definitely. Could they have handled things better? That’s more difficult to answer. The author admits that his wife worried that this book would “memorialize our incompetence,” while he countered that it would “celebrate our persistence.” It also shows that Thompson recognizes promising material when he sees it (and lives it) and knows how to heighten the drama for narrative momentum.

A highly candid memoir of parenthood that often fascinates and occasionally frustrates as the author tries to come to terms with the causes that have produced these particular effects.

Pub Date: May 15, 2018

ISBN: 978-0-06-239434-7

Page Count: 320

Publisher: Ecco/HarperCollins

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Readers Vote
  • 21


Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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