An innovative time-travel tale in which the main characters don’t actually visit the past or the future.
Eight elite brothers and sisters try to survive the regular upheavals caused by reckless time traveling.
Huston’s debut novel, starting a new sci-fi series (planned as 10 books), delivers a clever time-travel conceit. It involves the consequences of time travel (immortalized in Ray Bradbury’s “A Sound of Thunder”): reality in the “present” shifts due to temporal meddling in the past. After time travel becomes feasible, the U.S. has a new metropolis—Shawneetown, Illinois, evidently displacing Chicago, created through engineering by entrepreneurial voyagers. But for the Vann family of Shawneetown, life means periodic, bewildering paradigm shifts, as new waves of reality hit one after another, sending the clan scrambling to dimensional “Safe Houses.” The Vanns never know whether former careers, relationships, or even their personalities still exist. At least they are semi-protected; most people are oblivious “Bystanders,” erased or created whenever another human-caused Timestorm arrives. To the time-travel insiders, Bystanders are as inconsequential as Harry Potter’s muggles. The narrative (which is epistolary, journal entries via some form of recording device) reflects the point of view of young, uncertain Dexter Vann, an aspiring engineer warned not to count on finishing college by oldest brother Amos (an elite in the enigmatic time-travel governing body). Every few chapters, a new reality (“Season”) dawns. Some Seasons are harsh and weird; others are pleasant. But with Time Changes happening 250 times already, Dexter suffers a bad case of existential dread, turning very personal when he emerges into a reality in which his “Alternate Self” possessed a girlfriend he has never actually met. The tale is somewhat hobbled plotwise by its premise. The challenge here is advancing a storyline that resets itself on a regular basis. Huston manages some momentum, partially thanks to the recurring menace of a vengeful time “Void Pirate” but mainly through reliable inventiveness. There’s a newspaper—actually an “Oldspaper”—for the time-travel clique; time-related neuroses that surface to varying degrees in Dexter’s older and younger siblings (a glossary is included); and the protagonist’s own inconsistent voice. It’s difficult enough to find an identity as a youth; it’s much harder with reality routinely rewritten. Underlying the wit, wonder, and surprises is a theme of family bonds holding characters together despite the whole Chronoverse going crazy. The material is attuned to both YA and adult sensibilities.
An innovative time-travel tale in which the main characters don’t actually visit the past or the future.Pub Date: March 3, 2017
ISBN: 978-1-946090-00-3
Page Count: 402
Publisher: Chronoversal Export
Review Posted Online: Oct. 27, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
