The resilient lilt to Tucker’s writing allows him, and the reader, to negotiate even the direst moments without despondency.

LOVE IN THE DRIEST SEASON

A FAMILY MEMOIR

Debut memoir by Washington Post staffer Tucker describes his attempt with his wife to adopt a sick and abandoned child, setting their saga against the backdrop of Zimbabwe’s social disintegration.

Tucker had seen his share of desperate locales during his years as a foreign correspondent in Eastern Europe and sub-Saharan Africa for the Detroit Free Press. A white man who grew up in Mississippi, Tucker in 1998 was living with his Detroit-born, African-American wife Vita in Harare. The Zimbabwean capital was devastated by AIDS: perhaps as much as one-quarter of the population between 25 and 44 had the disease, young parents were dying in droves, and the nation’s traditional social welfare net, the extended family, was overwhelmed by hundreds of thousands of abandoned children. Neely and Vita were working as volunteers at the Chinyaradzo Children’s Home when an infant girl, only days old, was brought in. She had been left in chest-high grass a mile from the nearest village. Tucker’s description of their efforts to adopt Chipo (as the orphanage’s matron named her) limns a situation that was part theater of the absurd, part theater of cruelty. Social norms and suspicions conspired to thwart the couple’s every good intention; the simple fact was, he writes, “[Zimbabwe President] Mugabe’s administration wanted very little to do with Americans” and was particularly hostile to foreign journalists. Files were lost and found, the Tuckers were accused of trying to buy the child, the police harassed them. Neely’s position as a correspondent became ever more tenuous; he ultimately chucked his job to concentrate on the adoption process. His tale of love in a time of great political unease has a happy ending when the couple finally flies out of Harare with Chipo eight days before Zimbabweans reject Mugabe’s autocratic new constitution and his followers erupt in violence.

The resilient lilt to Tucker’s writing allows him, and the reader, to negotiate even the direst moments without despondency.

Pub Date: Feb. 17, 2004

ISBN: 0-609-60976-9

Page Count: 256

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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