A mass slaughter in the Capitol building sets off this third tense and twitchy installment in the adventures of investigative reporter Sully Carter.
Any Washington, D.C. resident with common sense knows that the nation’s capital is the last place you want to be at the peak of summer, with its swampy air mass and the kind of heat that’s “a hammer [hitting] you in the face.” Nevertheless, Sully is carrying out a routine newspaper assignment beneath the Capitol dome when sounds of gunfire and screaming shatter the doldrums. Sully’s war-correspondent instincts kick in as he weaves around the dead and dying toward the shooting’s source. What he eventually finds is even more horrific: the bound-and-gagged corpse of an Oklahoma congressman with ice picks protruding from both eye sockets. He also hears as the shooter calls 911 and gives his name as Terry Waters before making a clean getaway from police. Things become more bizarre between Waters’ escape and eventual arrest as he seems to adopt Sully, via phone, as his intermediary to authorities. (The gunman finds out that he and Sully have something in common: they both, at very young ages, lost their mothers to violence.) After Waters is indicted, he is committed to D.C.’s notorious St. Elizabeths mental hospital. Sully’s editors dispatch him to Oklahoma for more background on the killer, maybe even a motive. Sully finds all of that and more, far more, than he or anybody else expects, including the reader. What seems at the outset to be an exercise in formulaic “psycho killer” pyrotechnics becomes in Tucker’s hands an ingenious, expectation-trumping mystery that doesn’t scrimp on suspense or shock tactics. Those who have, after this novel’s two predecessors (Murder, D.C., 2015, etc.), become enamored with the embittered but urbane journalist may find less of his complicated personal life here. But they will find plenty more reasons to admire and even like Sully Carter.
Tucker raises the stakes and ramps up the darkness in this series and makes you wonder, and even worry a little about, what’s coming next.Pub Date: Aug. 30, 2016
ISBN: 978-0-525-42942-5
Page Count: 277
Publisher: Viking
Review Posted Online: July 4, 2016
Kirkus Reviews Issue: July 15, 2016
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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
77
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK REVIEW
BOOK TO SCREEN
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 6, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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