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READY TO CATCH HIM SHOULD HE FALL

An erotic fable, chockablock with literary allusion, about a homosexual subculture obsessed with a young man and his older lover. British writer Bartlett's fable—by turns graphic and romantic—traces the growth of the community from narcissism to tragedy and an apprehension of mortality. The narrator—the voice of the subculture—writes from a nameless city about the affair and eventual ``marriage'' of Boy and O, his older lover. The action centers on The Bar, run by Madame, a sort of earth mother protector. When the Boy arrives at The Bar, it's a great event to the narrator and his group, transforming their existence. The Boy, with his black shoes and shoebox full of letters from ``Father,'' would ``go home with anyone really.'' He's initiated by Miss Public House, who teaches him the ``repertoires of what you could and couldn't do....'' O was always at Madame's right hand, though never intimate with her. ``By sheer force of will power,'' Mother and the group try to push O and the Boy (``our two greatest beauties'') together. Finally, they become lovers, ``the kind of wanting which extends beyond the night into the day.'' Against a backdrop of gay-bashing in the vicinity, O and the Boy carry on their courtship, with O indulging various ``nocturnal speeches,'' before they announce their engagement, have a great costume party, and marry. This Family then takes sick ``Father'' home, and the Boy tends him through the stages of his illness until he becomes aphasic and dies, whereupon The Bar shuts for the seven days of the Family's mourning, and Madame (now Mother) leaves. But O ``will always be handsome. And Boy will always be beautiful, I think.'' This one survives some first-novel tics—mostly self-conscious literariness and cutesiness—to succeed as a celebration of homosexual love.

Pub Date: Sept. 1, 1991

ISBN: 0-525-93350-6

Page Count: 320

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1991

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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