In his debut novel, Ready to Catch Him Should He Fall (1991), Bartlett explored contemporary gay themes in a shadowy fable-like setting. Here, the background is richly specific—London in the 1920s and '50s—and the subject, treated with a moody obsessiveness reminiscent of Ruth Rendell (in her Barbara Vine mode), is the repression and secrecy then intrinsic to most homosexual lives. The narrator is Mr. Page, a middle-aged clerk who, alone in his tiny flat on Christmas Eve, 1956 (when arrests for sodomy are filling the headlines), tries to capture on paper, in precise detail, the turning point of his life: his encounter with Clive Vivian during the winter of 1924. The two 20-year-olds meet as strangers on Jermyn Street, where shabby Page, a junior employee at Selfridge's, visits the Turkish baths. Well-dressed Clive is the heir to a famous mansion on Brooke Street, but the two men look remarkably alike and immediately, silently, recognize their shared ``situation.'' The subject is never discussed; Page comes to the mansion for a party, then tea, only to find the great house uncared-for and Clive alternately friendly, rude, mysterious. Finally, after Clive appears to have a breakdown of sorts at his 21st-birthday dinner, Page returns to the house once more—and realizes, when he catches a glimpse of Clive and his young blond servant, that Clive is about to choose passion and honesty over society's approval. Despite a tone and pace that suggest suspense, Page's churning reminiscences don't build up to a genuine surprise or revelation; the novel fizzles out a bit as its rather didactic shape becomes apparent. But Bartlett's storytelling gifts are amply confirmed here—thanks to expertly voiced narration (Page's prim restraint giving way to occasional bursts of sarcasm or erotic fantasy) and to a masterly evocation of time and place, with the house on Brooke Street an effective symbol of Victorian values in disarray.
Pub Date: Jan. 13, 1997
ISBN: 0-525-94273-4
Page Count: 224
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1996
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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