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MORNING TIDE

From the late Scottish author Gunn (d. 1973), another novel set in the chillingly pristine and seacoast landscapes (Young Art and Old Hector, 1991, etc.). Here, a young boy of 12 in a poor fishing village survives family crises and his own emotive tides and turns: a father at the mercy of a storm at sea; the departure of an older brother; a mother's near-fatal illness—and, of course, a nagging awareness of sexual attraction. Again, Gunn writes with a scowling intensity when he strains at a visual prize (``she could feel the angles of the old drystone dykes of the north in her own joints...''), and he goes after the most elusive of sensual bangs (``an oily brown taste'' is the mix of tea and meat). But when the author takes on the terror and majesty of a stormy sea, his statuesque, somewhat idealized people and their domestic concerns are an appropriate complementary landscape. The village watches in awe and fear as at last the boats come in, then as a wave lifts boat and men to thunder on the break and recede: ``White-flecked, like a great skin, the whole body of water could be seen swaying out to sea.'' Strong stuff, Men of Arran fashion, but affecting also is Gunn's reading of the changing moods in one family as an 18-year-old brother leaves for Australia: the close last dinner, the night's wild fling with piper and poaching, the breakfast (``already part of the journey''), the public goodbye, and the final, private griefs. Then there's the agony of the mother's illness (including ponderous metaphysical speculation) and some peeks (from a tree) at innocent love-play. The shuttered passions of an adolescent, in a stoic, loyal, closemouthed community, point to the possibilities of adulthood: ``All at once he started running...his bare legs twinkling across the field of the dawn.'' Purple—yes, a shade, but Gunn's sea is a deep blue, then furious white and mighty and real.

Pub Date: Feb. 17, 1993

ISBN: 0-8027-1228-2

Page Count: 256

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1992

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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