A slim and moody third novel by author and movie-director Jordan resembles his film The Crying Game with its unusual and highly personalized sense of Irish politics. And like his earlier film, The Miracle, this tale of betrayal and redemption delves into the tragic consequences of family secrets. Motherless since youth, Donal Gore grows up in the shadow of his father, a member of the Protestant Ascendancy who converted to Catholicism and took up the Republican cause during the War for Independence. Afterward, the senior Donal became a Free-Stater, willing to compromise for a stable government. What really bothers young Donal is having to compete with his father's claims to Donal's piano tutor, a beautiful redhead named Rose DeVrai. Having practiced lovemaking with his male buddy, Mouse, Donal finally seduces Rose to the sound of Rachmaninoff, and together they enjoy ``the melancholy of the truly damned.'' Soon after, Donal's father announces his own engagement to Rose, who is half his age. Rather than witness this betrayal, Donal decides to get his ``hatreds in perspective'' by running off to join the Republican forces in the Spanish Civil War. Awaiting execution in a Loyalist jail, Donal is released against his will with intervention from home and, on his return, discovers that his father has been crippled by a stroke during his entire absence. Donal settles down and takes up fishing for a living, but he's soon contacted by his former captor, who expects him to serve as a conduit to the now-outlawed IRA. Donal instead pursues a course of further betrayal, indifferent to the moral consequences of his acts. His relentless sense of damnation is relieved by a spectral visitation, and a reconciliation over what father and son enjoy together most: fishing with nightlines, an Irish version of playing catch together. Jordan's cinematic sense of plot is more evident here than in his last novel (The Dream of a Beast, 1989), which had none of this story's wit. A movie version is in order.
Pub Date: Sept. 29, 1995
ISBN: 0-679-44438-6
Page Count: 192
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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