by Neil Kurtzman ‧ RELEASE DATE: Jan. 6, 2012
Kurtzman’s debut novel traces the evolution of a wary first-year medical student who becomes chief resident at a busy city hospital.
Many may believe the making of a doctor to be a tedious endeavor, but this notion will be quickly dispelled when readers become acquainted with Richard Grollman, an eccentric doctor-to-be with an affinity for opera. With wit and dark humor, Kurtzman’s descriptive dose of the day-to-day life of a medical student in the late 1950s details the challenges and rewards of the entire process. As Grollman progresses through his eight years of training, he experiences a number of trials and tribulations while surrounded by a cast of crazy surgeons and bumbling interns, before eventually discovering that he’s learned more than procedure and bedside manner. In his final act as chief medical resident, Grollman expounds upon his epiphany with his trademark cynicism: “Medicine is an elaborate masquerade in which the doctors pretend to cure while the patients pretend to get better.... Surgery is no more complicated than automobile repair and requires no more talent or ability. Knowing what to do and when to do it, or more importantly, when not to do it, is what counts.” By the novel’s conclusion, Kurtzman has presented readers with a thorough examination of the art of medicine and more than a few may be left pondering whether sometimes doing nothing may in fact be the best remedy. Although a familiarity with the medical field will engender a stronger connection to Kurztman’s work, it is not required. The book could benefit from another round of editing for brevity and excessively flowery language without detracting from its strengths: a zany point of view and black humor. Holds its own alongside Samuel Shem’s The House of God, a highly regarded take on the life and times of medical students.
Pub Date: Jan. 6, 2012
ISBN: 978-1461096535
Page Count: 708
Publisher: CreateSpace
Review Posted Online: March 6, 2012
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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