by Nellie Gail Moulton ; edited by Scott T. Barnes ‧ RELEASE DATE: Aug. 11, 2025
An important contribution to the history of Southern California, as told by one of the region’s leading artists.
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Moulton reflects on her life as a California rancher and artist in this memoir.
The author, writes art historian Jean Stern in the book’s foreword, was “one of the founders of the Southern California we know today.” Born in 1878 in Irving, Kansas, Moulton spent much of her childhood and young adult years in various locations across the American West, from traveling to California by horse and buggy as a 16-year-old to graduating as her high school valedictorian in Hebron, Nebraska, to working as a school teacher in Seattle at the turn of the century. She would eventually settle in Orange County, California, after marrying rancher Lewis Fenno Moulton, and she became an acclaimed artist later in her life. In 1970, two years before her death, she penned this memoir, which would be stored in the family’s archives until its publication in this well-edited, visually impressive edition. The memoir surveys the major events of Moulton’s life, often connecting her own story to contemporaneous national events. Discussing the “Gay Nineties,” the author argues that the decade was “gay only because the promise of freedoms of the sexes were simply an affectation and not a reality” (she laments, “I wish we had stayed that way”). Upon finally obtaining the right to vote, Moulton highlights her joy at casting her first ballot for the progressive Woodrow Wilson—though she did not support his decision to bring America into World War I. Part of California’s ‘en plein air’ art movement (an artist sets up an easel “in the wild and paints like mad while the light stays true”), the author would serve as a pioneering promoter as president of the Laguna Beach Art Association. Over the years, her work would be featured in solo exhibitions in venues including Soka University and San Clemente’s Casa Romantica.
Edited by Moulton’s great-grandson, Scott T. Barnes, the text is accompanied by editorial footnotes that contextualize, clarify, and provide additional commentary. The author of multiple books, Barnes writes with a passionate style, reveling in his great-grandmother’s many accomplishments from the learned perspective of a scholar of early 20th-century California history. While Moulton’s memoir is the book’s centerpiece, the volume is replete with extra essays and commentary, including lengthy endnotes that provide additional historical context for the major events of Moulton’s life, such as a multimillion-dollar real estate deal in the early 1960s that converted thousands of acres of the Moulton Ranch into one of the region’s largest retirement communities, known at the time as Leisure World Laguna Hills. The book also includes a reproduction of Moulton’s “Flight Journal,” a handwritten travelogue of her many trips across the world. (While not as polished as her typed memoir, these reflections offer a treasure trove of historical commentary.) A visual delight, the work also features photographs of Moulton’s artwork, as well as an ample assortment of family photographs and historic ephemera. (It even includes a QR code that takes readers to a documentary produced by the Moulton Museum.) At less than 170 total pages, this is an accessible and polished volume.
An important contribution to the history of Southern California, as told by one of the region’s leading artists.Pub Date: Aug. 11, 2025
ISBN: 9781967781010
Page Count: 174
Publisher: Self
Review Posted Online: Sept. 4, 2025
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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