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ON THE SICKLE'S EDGE

An unwieldy epic spans generations and continents while remaining, at its core, somehow improbable.

Set mostly in the Soviet Union, this ambitious novel takes on memory, identity, and family ties.

Frankel’s (Bloodlines, 2012) third novel is a multigenerational epic that spans three continents and almost three times as many decades. It begins with one man’s impossible decision: Isaak Shtein, a Jewish Latvian refugee in South Africa, has lost his wife. He has five children. He decides to return to Latvia for help from his family. He can afford to bring with him all but two teenage sons; he plans to return to them before long. Unfortunately, World War I begins soon after Isaak arrives in Latvia. He marries his late brother’s wife and the two flee, with their combined children, to Russia. Then they make another hard decision: they’ll hide their Jewish identity and hope for a better life. The first portion of Frankel’s behemoth is narrated by Lena, Isaak’s only surviving daughter, who grows up in Stalinist Moscow, making a life for herself amid the limitations and paranoia of that society. Lena’s granddaughter, Darya, narrates the second part of the book; by marrying a cruel, sadistic man in the upper echelons of the KGB, she has endangered herself, her children, and her extended family. That’s where Steven comes in. Steven Green, the third narrator, is a descendant of one of the sons Isaak Shtein left, decades ago, in South Africa. Now a painter living in Boston, Steven has begun writing letters to his Soviet relatives. When he goes to visit them, he falls in love with Darya and, soon after, is entangled in a plot of intrigue and violence that has him in way over his head. Frankel is an engaging storyteller, and his depictions of Soviet life are interesting. But his characters are two-dimensional and his efforts to complicate them seem trite. The dialogue, which features Russian speakers spouting American idioms, is unconvincing. Worse, most of the book’s action is simply summarized, while many of the scenes he does allow us to glimpse are mundane and sometimes repetitive. A heavy round of editing may have helped but as it stands, the book is overstuffed and the ending unlikely.

An unwieldy epic spans generations and continents while remaining, at its core, somehow improbable.

Pub Date: Jan. 16, 2017

ISBN: 978-1-944884-10-9

Page Count: 471

Publisher: Dialogos

Review Posted Online: Nov. 5, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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