Those iconic figures manage more human-speak than they did in Gettysburg (2003), and the battle scenes continue war-lovingly...

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GRANT COMES EAST

A NOVEL OF THE CIVIL WAR

The Gingrich and Forstchen (military historian) “what-if” take on the Civil War gathers some steam.

After Lee’s glittering Gettysburg triumph (ending volume one of what bids fair to be at least a trilogy) the tactical question becomes—what next? Strike at the now vulnerable enemy capital? The decimated Army of the Potomac appears unable to protect Washington, and if Lee can occupy the city—as President Jefferson Davis is certain he can—perhaps the nightmarish struggle will be at last resolved. Failing that longed-for consummation, France and/or England might be willing to regard the Confederacy as legitimate and worthy of an alliance. But Lee’s vaunted Army of Northern Virginia isn’t what it once was. Victories have been costly. Manpower shortages are everywhere and critical. And, in the west, there’s this new player, a worrisome Union general named Ulysses S. Grant, fresh from his own monster victory at Vicksburg. Urged on by the overconfident Davis, Lee attempts to storm Washington, where he meets much stiffer resistance than predicted—mounted, among others, by the elegant and aristocratic Colonel Robert Shaw (Matthew Broderick in Glory) and his legendary fifty-fourth of Massachusetts. (“Lincoln saw the columns of veterans beginning to shake out into the battle line, the men professional-looking, moving sharply. . . and they were colored.”) The bloody chess game continues. Bold gambits are countered by desperate defenses as the armies maneuver for position, and always, always, with horrific slaughter of young men. Lincoln throws his full support behind Grant. Unaccountably, Jeff Davis’s support for Lee begins to waver. As this second installment ends, Grant seems headed for Richmond. Is that where Gingrich–Forstchen’s champion heavyweights will finally slug it out?

Those iconic figures manage more human-speak than they did in Gettysburg (2003), and the battle scenes continue war-lovingly rendered. Civil War buffs will be entertained.

Pub Date: June 1, 2004

ISBN: 0-312-30937-6

Page Count: 400

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 2004

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

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HOMEGOING

A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.

Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.

A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

Pub Date: June 7, 2016

ISBN: 978-1-101-94713-5

Page Count: 320

Publisher: Knopf

Review Posted Online: March 2, 2016

Kirkus Reviews Issue: March 15, 2016

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