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WRESTLING WITH THE DEVIL

A PRISON MEMOIR

Four decades after the imprisonment detailed here, the issues remain fresh.

A prison memoir of sorts from an activist author who maintains he has little interest in writing a prison memoir.

A prolific novelist, essayist, and academic, Kenya-born Ngugi (English and Comparative Literature/Univ. of California, Irvine; Birth of a Dream Weaver: A Memoir of a Writer's Awakening, 2016, etc.) published the original version of this material in 1982, and it focused on his imprisonment under the totalitarian regime of Jomo Kenyatta. Now, long after the Kenyatta tyranny, the author refocuses the narrative so that it is less about the specifics of abuses suffered under that regime and more about sustaining the spirit of resistance while subjected to years of incarceration. Specifically, it is about the writing of one novel, Devil on the Cross (1980), while in prison, a forbidden activity undertaken without resources and with a minimum of outside inspiration. The author wrote the book on scraps of toilet paper, drawing brief interactions with guards and fellow prisoners, typically kept isolated as another form of punishment. He had never been charged with any specific crime, but he had written plays that were deemed subversive, particularly as performed by locals within the community who had no acting experience. In his cell, he pondered the decades of struggle of African natives against colonial imperialists, “parasites in paradise,” whose inhuman mistreatment of the subjugated became the law of the land and the culture. “It was the culture of hedonism without morality,” writes the author, “a culture of legalized brutality, a racist ruling-class culture of fear, the culture of an oppressing minority desperately trying to impose total silence on a restive oppressed minority.” Within that context, he details the transformation of Kenyatta, another political prisoner, who was once hailed as the voice of the oppressed before becoming the oppressor. Newsweek dubbed the author “a naïve ideologue” while he was still in prison, but “principled” would be a more appropriate characterization.

Four decades after the imprisonment detailed here, the issues remain fresh.

Pub Date: March 6, 2018

ISBN: 978-1-62097-333-2

Page Count: 272

Publisher: The New Press

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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