A Guide Bleu for the literary armchair.
A delightfully aimless, somewhat rueful collection of nine essays on places visited and friends lost.
Novelist/memoirist Delbanco (The Lost Suitcase, 2000, etc.; Writing/Univ. of Michigan) is a writer’s writer, always in search of a fresh story, turn of phrase, or book to read—indeed you can read his essays in great part for the gallery of titles he lists in each. He titles his own collection after a phrase from Baudelaire (“n’importe où hors du monde”) and begins with an old-fashioned defense of imitation as “the route—not perhaps the only route, but a well-traveled one—to originality.” Writing, he believes, is an act of discovery, recounting everything from the epic movement of people to a personal transformation. In the eponymous essay, Delbanco regrets the “wide-eyed and improvisational” style of such intrepid early travel writers as Marco Polo or Mary Kingsley, who truly ventured out to discover terra incognita. By contrast, he finds, modern travel writing has more to do with recovery: “the writer reports on information gained or innocence long lost.” Modeling himself after the earlier form in “Letter from Namibia,” Delbanco recounts a visit he made as a young man in the late 1960s to an isolated African farm, diligently cataloguing the plethora of curious animals, the daily workings of the farm, and the personalities he met. “Northern Lights” ambles through literature by writers such as Dinesen, Conrad, and Nabokov, who found their voices by delving into raw and unfamiliar worlds. “The Dead” contains cameo appearances by several deceased mates; Delbanco describes his friendship with writer John Gardner, as well as a hilarious 1973 luncheon with James Baldwin and his flamboyant entourage in Provence. “On Daniel Martin” is a close reading of John Fowles’s novel, while “Strange Type” meditates on the richly ambivalent meanings offered by inadvertently transposed letters. Overall, the collection makes up in quirkiness what it lacks in cohesion.
A Guide Bleu for the literary armchair.Pub Date: April 1, 2005
ISBN: 0-231-13384-7
Page Count: 208
Publisher: Columbia Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2005
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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