A Guide Bleu for the literary armchair.
A delightfully aimless, somewhat rueful collection of nine essays on places visited and friends lost.
Novelist/memoirist Delbanco (The Lost Suitcase, 2000, etc.; Writing/Univ. of Michigan) is a writer’s writer, always in search of a fresh story, turn of phrase, or book to read—indeed you can read his essays in great part for the gallery of titles he lists in each. He titles his own collection after a phrase from Baudelaire (“n’importe où hors du monde”) and begins with an old-fashioned defense of imitation as “the route—not perhaps the only route, but a well-traveled one—to originality.” Writing, he believes, is an act of discovery, recounting everything from the epic movement of people to a personal transformation. In the eponymous essay, Delbanco regrets the “wide-eyed and improvisational” style of such intrepid early travel writers as Marco Polo or Mary Kingsley, who truly ventured out to discover terra incognita. By contrast, he finds, modern travel writing has more to do with recovery: “the writer reports on information gained or innocence long lost.” Modeling himself after the earlier form in “Letter from Namibia,” Delbanco recounts a visit he made as a young man in the late 1960s to an isolated African farm, diligently cataloguing the plethora of curious animals, the daily workings of the farm, and the personalities he met. “Northern Lights” ambles through literature by writers such as Dinesen, Conrad, and Nabokov, who found their voices by delving into raw and unfamiliar worlds. “The Dead” contains cameo appearances by several deceased mates; Delbanco describes his friendship with writer John Gardner, as well as a hilarious 1973 luncheon with James Baldwin and his flamboyant entourage in Provence. “On Daniel Martin” is a close reading of John Fowles’s novel, while “Strange Type” meditates on the richly ambivalent meanings offered by inadvertently transposed letters. Overall, the collection makes up in quirkiness what it lacks in cohesion.
A Guide Bleu for the literary armchair.Pub Date: April 1, 2005
ISBN: 0-231-13384-7
Page Count: 208
Publisher: Columbia Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2005
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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