The deeply felt tribute to Le Corbusier’s work is enriched by Weber’s engrossing, entertaining portrait of his complex...
Exhaustive biography of one of the most innovative and influential architects of the 20th century.
Cultural historian Weber (The Clarks of Cooperstown, 2007, etc.) had access to reams of revealing correspondence between Le Corbusier (1887–1965) and his mentor, Swiss music critic William Ritter; his wife; his American mistress; and his parents, especially his mother. Drawing on these archives, the author has produced a vivid, nearly day-by-day account of the architect’s peripatetic professional life and his previously undisclosed personal one. Born Charles-Edouard Jeanneret in the Swiss Alps, he attended art school there; excerpts from the letters reveal his early struggles to free himself from a provincial background, his sexual frustrations and his volatile personality. He moved to Paris at age 29, soon adopted a new name and with the artist Amédée Ozenfant began promoting the artistic movement of Purism. A sculptor and painter as well as a visionary architect, Le Corbusier produced dozens of works on art, architecture and city planning. Weber clearly illustrates the development of his theories about the use of architecture to transform the human condition by combining modern industrial materials such as concrete, steel and glass with nature and light to provide ideal environments for all. The author quotes freely from correspondence that shows Le Corbusier to have been opportunistic, proud and authoritarian, willing to reshape facts to suit his vision of himself and holder of a long grudge against America. At the same time, he was generous and imaginative, fiercely attached to his mother, an ardent lover of female beauty. Weber visited most existing Le Corbusier buildings, which he describes here in glowing terms. L’Unité d’Habitation, an apartment complex in Marseille, is “a turning point in the history of how human beings live”; the General Assembly building in Chandigarh, India, “represents an apogee of imagination and courage”; the chapel at Ronchamp, is “a miraculous realm beyond total comprehension.”
The deeply felt tribute to Le Corbusier’s work is enriched by Weber’s engrossing, entertaining portrait of his complex personality.Pub Date: Nov. 13, 2008
ISBN: 978-0-375-41043-7
Page Count: 944
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2008
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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