Next book

THE BAUHAUS GROUP

SIX MASTERS OF MODERNISM

A rigorously researched and often fascinating history that morphs into memoir.

An art historian offers six largely flattering portraits of key members of the famed Bauhaus group that flourished in Germany in the 1920s, then died when the Nazis enforced their own definitions of art and its functions.

Weber (Le Corbusier: A Life, 2008, etc.) profiles some of the most iconic figures in modern-art history, including Paul Klee and Wassily Kandinsky, who, the author demonstrates, were fine friends, not rivals. The journey begins with Walter Gropius, founder of the Bauhaus school, and this section provides the rough structure for the subsequent ones. General comments about his significance segue into a biographical sketch and a detailed examination of his career at the Bauhaus, followed by another quick summary of the subject’s post-Bauhaus career and death. Weber quotes liberally from correspondence, provides a wealth of illustrations and offers his running assessment of each person’s contributions to art history. The author clearly admires—even reveres—these six figures. Klee “brought the liberating spirit of surrealism to the Bauhaus”; Kandinsky “altered the course of world art.” Weber reserves his most intimate praise for Josef and Anni Albers, whom he befriended late in their lives and whose eponymous charitable foundation he now directs. The author, in fact, was the executor of Anni’s will, and relates an uncomfortable anecdote about the odd pleasure he took in informing actor Maximilian Schell that Anni had excluded him from mention or bequest. In the final 200 pages Weber adopts the first-person voice, becoming a character in the story.

A rigorously researched and often fascinating history that morphs into memoir.

Pub Date: Oct. 27, 2009

ISBN: 978-0-307-26836-5

Page Count: 544

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2009

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Awards & Accolades

Likes

  • Readers Vote
  • 29


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
Next book

INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

Awards & Accolades

Likes

  • Readers Vote
  • 29


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

Close Quickview