by Nicholas Lamar Soutter ‧ RELEASE DATE: April 23, 2012
Profound, provocative and sure to spark a reaction.
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In a world ruled by capitalism, an empathetic corporate worker questions the principles upon which the society functions.
Soutter’s debut novel is a scathing, ceaselessly engaging examination of capitalism and corporatism. At Ackerman Brothers Securities Corporation, Charles Thatcher works as a perception manager; his job is to process and deflect any negativity regarding the corporation. Now that the government has crumbled, capitalism is the new regime, with constant demands for profitable information, either substantiated or speculative. Charles hopes for higher compensation by spinning the story of a woman stealing rainwater, but soon after his ploy, he begins to mull over the consequences and regret his actions. A meeting with Kate, a friend of the woman, leaves Charles reassessing the value of a civilization run by the rich, as he wonders how long capitalism can sustain itself. The story intimates that men and their actions—not just an immaterial idea—are the essential cause of immorality, but it centers on the undesirable fallout of money as the corollary source of power. Soutter’s vision of capitalistic supremacy is gleefully absurd: A simple elevator ride costs five cents per floor, and information is only conveyed for a price. Societal classes are now purchasable contracts, and the poor reside in LowSec (Low Security); a citizen’s lot in life, like all commodities, is bought and paid for. There are also welcome dashes of satire derived from characters unable, or unwilling, to acknowledge irony: a perception manager writing a report on an unflattering anti–perception management story; Linus, Charles’ higher-ranking colleague, offers an alternative moral regarding mendacity (he’s not against lying, but rather against telling the same lie more than once). Charles has many lengthy discussions with Kate over now-archaic standards (to them), like people electing other people into power, but their talks are never tedious or repetitive. Their conversations also lead to one of the book’s most potent lines: “The single best indicator of where you end up in life is where you start, no matter what the capitalists tell you.”
Profound, provocative and sure to spark a reaction.Pub Date: April 23, 2012
ISBN: 978-1467972277
Page Count: 248
Publisher: CreateSpace
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: Oct. 15, 2012
Review Program: Kirkus Indie
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by Paul Lynch ‧ RELEASE DATE: Dec. 5, 2023
Captivating, frightening, and a singular achievement.
As Ireland devolves into a brutal police state, one woman tries to preserve her family in this stark fable.
For Eilish Stack, a molecular biologist living with her husband and four children in Dublin, life changes all at once and then slowly worsens beyond imagining. Two men appear at her door one night, agents of the new secret police, seeking her husband, Larry, a union official. Soon he is detained under the Emergency Powers Act recently pushed through by the new ruling party, and she cannot contact him. Eilish sees things shifting at work to those backing the ruling party. The state takes control of the press, the judiciary. Her oldest son receives a summons to military duty for the regime, and she tries to send him to Northern Ireland. He elects to join the rebel forces and soon she cannot contact him, either. His name and address appear in a newspaper ad listing people dodging military service. Eilish is coping with her father’s growing dementia, her teenage daughter’s depression, the vandalizing of her car and house. Then war comes to Dublin as the rebel forces close in on the city. Offered a chance to flee the country by her sister in Canada, Eilish can’t abandon hope for her husband’s and son’s returns. Lynch makes every step of this near-future nightmare as plausible as it is horrific by tightly focusing on Eilish, a smart, concerned woman facing terrible choices and losses. An exceptionally gifted writer, Lynch brings a compelling lyricism to her fears and despair while he marshals the details marking the collapse of democracy and the norms of daily life. His tonal control, psychological acuity, empathy, and bleakness recall Cormac McCarthy’s The Road (2006). And Eilish, his strong, resourceful, complete heroine, recalls the title character of Lynch’s excellent Irish-famine novel, Grace (2017).
Captivating, frightening, and a singular achievement.Pub Date: Dec. 5, 2023
ISBN: 9780802163011
Page Count: 320
Publisher: Atlantic Monthly
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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by Paul Lynch
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by Agustina Bazterrica translated by Sarah Moses ‧ RELEASE DATE: Aug. 4, 2020
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.
A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.
Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.Pub Date: Aug. 4, 2020
ISBN: 978-1-982150-92-1
Page Count: 224
Publisher: Scribner
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
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by Agustina Bazterrica ; translated by Sarah Moses
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