Profound, provocative and sure to spark a reaction.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2012

THE WATER THIEF

In a world ruled by capitalism, an empathetic corporate worker questions the principles upon which the society functions.

Soutter’s debut novel is a scathing, ceaselessly engaging examination of capitalism and corporatism. At Ackerman Brothers Securities Corporation, Charles Thatcher works as a perception manager; his job is to process and deflect any negativity regarding the corporation. Now that the government has crumbled, capitalism is the new regime, with constant demands for profitable information, either substantiated or speculative. Charles hopes for higher compensation by spinning the story of a woman stealing rainwater, but soon after his ploy, he begins to mull over the consequences and regret his actions. A meeting with Kate, a friend of the woman, leaves Charles reassessing the value of a civilization run by the rich, as he wonders how long capitalism can sustain itself. The story intimates that men and their actions—not just an immaterial idea—are the essential cause of immorality, but it centers on the undesirable fallout of money as the corollary source of power. Soutter’s vision of capitalistic supremacy is gleefully absurd: A simple elevator ride costs five cents per floor, and information is only conveyed for a price. Societal classes are now purchasable contracts, and the poor reside in LowSec (Low Security); a citizen’s lot in life, like all commodities, is bought and paid for. There are also welcome dashes of satire derived from characters unable, or unwilling, to acknowledge irony: a perception manager writing a report on an unflattering anti–perception management story; Linus, Charles’ higher-ranking colleague, offers an alternative moral regarding mendacity (he’s not against lying, but rather against telling the same lie more than once). Charles has many lengthy discussions with Kate over now-archaic standards (to them), like people electing other people into power, but their talks are never tedious or repetitive. Their conversations also lead to one of the book’s most potent lines: “The single best indicator of where you end up in life is where you start, no matter what the capitalists tell you.”

Profound, provocative and sure to spark a reaction.

Pub Date: April 23, 2012

ISBN: 978-1467972277

Page Count: 248

Publisher: CreateSpace

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: Oct. 15, 2012

Did you like this book?

No Comments Yet

Underscores that the stories we tell about our lives and those of others can change hearts, minds, and history.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2022

  • New York Times Bestseller

  • IndieBound Bestseller

OUR MISSING HEARTS

In a dystopian near future, art battles back against fear.

Ng’s first two novels—her arresting debut, Everything I Never Told You (2014), and devastating follow-up, Little Fires Everywhere (2017)—provided an insightful, empathetic perspective on America as it is. Her equally sensitive, nuanced, and vividly drawn latest effort, set in a dystopian near future in which Asian Americans are regarded with scorn and mistrust by the government and their neighbors, offers a frightening portrait of what it might become. The novel’s young protagonist, Bird, was 9 when his mother—without explanation—left him and his father; his father destroyed every sign of her. Now, when Bird is 12, a letter arrives. Because it is addressed to “Bird,” he knows it's from his mother. For three years, he has had to answer to his given name, Noah; repeat that he and his father no longer have anything to do with his mother; try not to attract attention; and endure classmates calling his mother a traitor. None of it makes sense to Bird until his one friend, Sadie, fills him in: His mother, the child of Chinese immigrants, wrote a poem that had improbably become a rallying cry for those protesting PACT—the Preserving American Culture and Traditions Act—a law that had helped end the Crisis 10 years before, ushering in an era in which violent economic protests had become vanishingly rare, but fear and suspicion, especially for persons of Asian origin, reigned. One of the Pillars of PACT—“Protects children from environments espousing harmful views”—had been the pretext for Sadie’s removal from her parents, who had sought to expose PACT’s cruelties and, Bird begins to understand, had prompted his own mother’s decision to leave. His mother's letter launches him on an odyssey to locate her, to listen and to learn. From the very first page of this thoroughly engrossing and deeply moving novel, Bird’s story takes wing. Taut and terrifying, Ng’s cautionary tale transports us into an American tomorrow that is all too easy to imagine—and persuasively posits that the antidotes to fear and suspicion are empathy and love.

Underscores that the stories we tell about our lives and those of others can change hearts, minds, and history.

Pub Date: Oct. 4, 2022

ISBN: 978-0-593-49254-3

Page Count: 352

Publisher: Penguin Press

Review Posted Online: Aug. 2, 2022

Kirkus Reviews Issue: Aug. 15, 2022

Did you like this book?

An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.

TENDER IS THE FLESH

A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.

Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.

An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.

Pub Date: Aug. 4, 2020

ISBN: 978-1-982150-92-1

Page Count: 224

Publisher: Scribner

Review Posted Online: May 18, 2020

Kirkus Reviews Issue: June 1, 2020

Did you like this book?

No Comments Yet
more