by Nicholas Reynolds ‧ RELEASE DATE: March 14, 2017
Although Reynolds is forced to guess about much of Hemingway’s secret life as a spy, his conclusions seem consistent with...
A military historian uncovers evidence of Ernest Hemingway’s dabbling in espionage.
While working on an exhibition at the CIA Museum, retired Marine Corps and CIA officer Reynolds (U.S. Marines in Iraq, 2003: Basrah, Baghdad and Beyond, 2016) discovered “tantalizing traces” of Hemingway’s involvement in the Office of Strategic Services and Russia’s NKVD, the precursor of the KGB. Beginning with that tenuous evidence, the author has assembled fragments from FBI and NKVD files, sometimes more suggestive than definitive, to create this mostly engrossing story of Hemingway’s disillusionment with American politics, his sympathy with communism, and his attraction to adventure and subversion. Two events changed Hemingway’s political perspective: a devastating hurricane in the Florida Keys in 1935, when the government failed to evacuate stranded World War I veterans, “who died by the hundreds”; and the refusal of the U.S. to support the Republicans in the Spanish Civil War. Both made him “passionately pro-Republican and antifascist” and therefore a likely recruit for the NKVD. He seems not to have engaged in much actual spying either for the Soviets or, later, the Americans, to whom he also ferried information. During a trip to China with his wife, Martha Gellhorn, he reported to Washington about “the friction…between the Nationalists and the communists,” information that did not come from secret meetings or stolen papers. In 1942, living in Cuba, he headed what he called the “Crook Factory,” a motley collection of friends who reported to the American ambassador about any odd behavior among German or Spanish businessmen on the island. Like most of his spying activities, this one was short-lived. In his later years, Hemingway became obsessed with the idea that he was under FBI surveillance, and the author speculates that this delusion “deepened his depression and made his final illness worse.”
Although Reynolds is forced to guess about much of Hemingway’s secret life as a spy, his conclusions seem consistent with the well-known portrait of the novelist striving to prove his manliness and power.Pub Date: March 14, 2017
ISBN: 978-0-06-244013-6
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 3, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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