Sparks's debut is a contender in the Robert Waller book-sweeps for most shamelessly sentimental love story, with honorable mention for highest octane schmaltz throughout an extended narrative. New Bern is the Carolina town where local boy Noah Calhoun and visitor Allison Nelson fall in love, in 1932, when Noah is 17 and Allie 15 (``as he . . . met those striking emerald eyes, he knew . . . she was the one he could spend the rest of his life looking for but never find again''). Allie's socially prominent mom, however, sees their Romeo-and-Juliet affair differently, intercepting Noah's heartrendingly poetic love-letters, while Allie, sure he doesn't love her, never even sends hers. Love is forever, though, and in 1946 Allie sees a piece in the paper about Noah (he's back home after WW II, still alone, living in a 200-year-old house in the country) and drives down to see him, telling the socially prominent lawyer she's engaged to that she's gone looking for antiques (`` `And here it will end, one way or the other,' she whispered''). And together again the lovers come indeed, during a thunderstorm, before a crackling fire, leaving the poetic Noah to reflect that ``to him, the evening would be remembered as one of the most special times he had ever had.'' So, will Allie marry her lawyer? Will Noah live out his life alone, rocking on his porch, paddling up the creek, ``playing his guitar for beavers and geese and wild blue herons''? Suffice it to say that love will go on, somehow, for 140 more pages, readers will find out what the title means and may or may not agree with Allie, of Noah: ``You are the most forgiving and peaceful man I know. God is with you, He must be, for you are the closest thing to an angel that I've ever met.'' An epic of treacle, an ocean of tears, made possible by a perfect, ideal, unalloyed absence of humor. Destined, positively, for success. (First serial to Good Housekeeping; film rights to New Line Cinema; Literary Guild selection)
Pub Date: Oct. 11, 1996
ISBN: 0-446-52080-2
Page Count: 224
Publisher: N/A
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1996
Categories: HISTORICAL FICTION
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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 21, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Categories: LITERARY FICTION | HISTORICAL FICTION
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PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Categories: RELIGIOUS FICTION | HISTORICAL FICTION
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