A wartime coming-of-age story filled with nonstop action and genuine pathos.

MAD BOY

Across the battlefields of the War of 1812, a young boy races to carry out his mother’s dying wish and rescue his father.

When 10-year-old Henry Phipps’ mother is killed in a bizarre accident, he strikes out over the Maryland countryside to give her a burial at sea and free his alcoholic father from the Baltimore prison where his unpaid gambling debts have landed him. Arvin (The Reconstructionist, 2012, etc.) neatly blends conventional narrative, including vivid accounts of the British attack on the "muddy, malarial village" that is Washington, D.C., in August 1814 and the bombardment of Baltimore’s Fort McHenry that inspired Francis Scott Key to compose the “Star-Spangled Banner,” with refreshing touches of magic realism, like the voice of Henry’s deceased mother that guides him at key moments on his perilous journey. Henry is an engaging, resourceful hero of this picaresque tale, displaying endurance, ingenuity, and commendably mature generosity in his frequent encounters with soldiers, thieves, peddlers, and prostitutes, without ever losing passion for his twin goals. The story is seasoned with a well-drawn cast of supporting characters, including Henry’s sturdy older brother, Franklin, who survives a mock execution for desertion from his militia unit; a British soldier named Morley, who switches sides to fight with the Americans though his loyalties lie only with himself; and Radnor, a former slave who sees his best chance for permanent liberation in a victory of the redcoat army that welcomes his service. Arvin heightens the drama with a subplot that has several characters engaged in a race to recover two stolen sacks stuffed with gold and silver coin. At less than 250 pages, the novel is a masterpiece of compression without sacrificing character development to the demands of the relentless action and adventure. Sandwiched between the nation-defining glamour of the Revolutionary War and the epic conflict of the Civil War, the War of 1812 hasn’t garnered comparable attention in the world of fiction. Arvin’s robust novel helps redress that imbalance.

A wartime coming-of-age story filled with nonstop action and genuine pathos.

Pub Date: June 12, 2018

ISBN: 978-1-60945-458-6

Page Count: 240

Publisher: Europa Editions

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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