A familiar love triangle reimagined in an absorbing tale.

THE VERDUN AFFAIR

Three characters haunted by loss search for consolation.

Evoking Francois Truffaut’s acclaimed movie Jules and Jim (and the semiautobiographical novel by Henry-Pierre Roché that inspired it), Dybek (When Captain Flint Was Still a Good Man, 2012) gently unfolds the story of two young men and the enigmatic woman who fascinates them and changes their lives. The story opens in Santa Monica in 1950, where Tom Combs, a Hollywood screenwriter, unexpectedly meets Paul Weyerhauser at a funeral. They have not seen each other since they first met in post–World War I Europe and became involved with a beautiful young American woman on an urgent quest. It was 1921, and Tom was assisting a priest in gathering bones for an ossuary, a memorial for soldiers lost in Verdun’s brutal conflict whose remains were strewn or buried throughout the countryside. He was charged, also, with following up pleas from the many family members who visited the priest, desperately hoping for information: “They would weep and talk—for hours sometimes—about the man they’d lost. As if all that talk might help us identify him, as if it might bring him back to life.” Among them is Sarah Hagen, whose husband, Lee, went missing in the spring of 1918. Something about her stirs Tom: He tells her he met Lee Hagen in Aix-les-Bains, that he seemed fine and happy. Sarah tries to believe the lie; certainly she believes Tom’s kindness, and the two begin an affair—brief, because Sarah goes on in her search. They meet again at a mental hospital in Italy, where an amnesiac patient may, or may not, be Lee Hagen and where they encounter Paul, an Austrian journalist also searching for a man: in his case, an American ambulance driver whose fate obsesses him. In delicate, evocative prose, Dybek captures the grim devastation of scarred battlefields, bombed villages, and fetid soil and conveys with sensitivity his characters’ unabated desire to see in the shellshocked soldier an answer to their deepest desire.

A familiar love triangle reimagined in an absorbing tale.

Pub Date: June 12, 2018

ISBN: 978-1-5011-9176-3

Page Count: 320

Publisher: Scribner

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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