FUNNY GIRL

Years later, Sophie is getting ready to star in a play that's intended to revive her career. “The play is much better than I...

Art and life are intertwined in a novel about TV sitcoms set during the cultural sea change of the 1960s.

Hornby's (Juliet, Naked, 2009, etc.) most ambitious novel to date extends his passion for pop culture and empathy for flawed characters in to the world of television comedy. From her girlhood days in working-class Blackpool, Barbara Parker idolizes Lucille Ball and dreams of emulating her. Yet such a career seems impossible to a young woman whose closest brush with upward mobility comes when she wins a local beauty contest—then quickly abdicates her crown, realizing it would tie her closer to home rather than provide a ticket out. She realizes she has to go to London, a city where she has no connections or realistic prospects and where she discovers “that she wasn’t as lovely as she had been in Blackpool; or, rather, her beauty was much less remarkable here." There's one thing that makes her stand out from the other lovely girls, though: "She was pretty sure...that none of [them] wanted to make people laugh.” Through a series of chance encounters that seem like destiny, she does achieve her dreams, getting cast on a popular BBC comedy and even meeting Lucy, who “looked old, though, in the way that a ghost looks old.” It’s the supporting characters who really enrich this novel—the producer/director whose devotion to his star is more than professional; the gay writers who are initially semicloseted and whose paths will diverge; the male star whom this newcomer—now dubbed Sophie Straw—quickly eclipses. Hornby makes the reader care for his characters as much as he does and retains a light touch with the deeper social implications, as women, gays, popular entertainment and the culture in general experience social upheaval.

Years later, Sophie is getting ready to star in a play that's intended to revive her career. “The play is much better than I thought it was going to be," she thinks. "It’s funny, and sad—like life.” And like this novel.

Pub Date: Feb. 3, 2015

ISBN: 978-1-59420-541-5

Page Count: 400

Publisher: Riverhead

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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A GENTLEMAN IN MOSCOW

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...

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Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.

Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).

Pub Date: Sept. 6, 2016

ISBN: 978-0-670-02619-7

Page Count: 480

Publisher: Viking

Review Posted Online: June 20, 2016

Kirkus Reviews Issue: July 1, 2016

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