LOST IN TRANSLATION

A search in China’s desert interior for the remains of the Peking Man becomes a compassionate tale of new loves found and old hurts forgiven as an expat American woman serves as the group’s interpreter. Newcomer Mones asks that nuances and complexities of character carry the narrative, rather than a sequence of sensational acts. All of the people here, minor or major, are subtly shaded: their behavior results from their temperament more than from the diversionary dictates of plot. Thirtyish Alice has been working as an interpreter in Beijing since college, but she hasn’t yet found the man—preferably Chinese, so as to let her forget her American self—to fully understand or appreciate her. She only reluctantly accompanies recently divorced American Adam Spencer and two Chinese specialists, Dr. Lin and Dr. Kong, on a search for the remains of Peking Man, rumored to have been hidden by none other than the noted theologian and archeologist Pierre Teilhard de Chardin. Quotes from Teilhard give a wider if sometimes intrusive take on the quest as the quartet conducts a search as riveting as any mystery. But three of the party also have personal issues to confront: Alice’s father is a racist congressman whose speech about the young Alice led to a tragedy; Adam feels he’s a failure and misses his only son; Lin still loves his wife, who disappeared during the Cultural Revolution. In vividly rendered Chinese settings, Alice, while falling for Lin, learns that her father, whom she loves in spite of his lamentable attitudes, is dying. Meanwhile, Lin—though on the lookout for his erstwhile wife, once a prisoner in the region—gradually finds himself smitten by the American. At story’s end, sundry disappointments will be eased by unanticipated discoveries . An absorbing, richly imagined, and intelligent debut. (Book-of-the-Month Club/Quality Paperback Book Club Selection; author tour)

Pub Date: Aug. 14, 1998

ISBN: 0-385-31934-7

Page Count: 384

Publisher: Dell

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 1998

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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