A well-described setting adds strength to this coming-of-age novel.
In this YA novel, a teenage girl deals with family, relationships, and limitations, growing up in the process.
For 16-year-old Francie Mills, tennis is the only thing that matters and the only thing she can control. She’d rather ignore her doctor’s warning to stop stressing torn cartilage in her knee than go without the freedom she feels on the court. She certainly has no power over her father Hank’s drinking and how it makes him obnoxious and embarrassing. Hank coordinates transportation for movie shoots, and on location with him in Austin, Texas, Francie meets 17-year-old Chet Jones, who plays with Blues Harp Jones, a band appearing in the film. Like her, Chet lives in Southern California, though he possesses an appealing Aussie accent. He’s also cute, charming, understanding about her father, and wants to keep in touch. But Francie struggles with self-consciousness, anger, and her father’s criticism: “he made her feel like a big, fat, worthless, useless, nothing loser.” Eddie, a would-be Martin Scorsese and brother of Francie’s friend Stella, also likes Francie, but he seems safe where Chet is exciting. As Francie struggles with her feelings, her tennis, and her father’s alcoholism, she learns some hard truths and comes to a new understanding about human connections. In her debut novel, Schubert captures the melodramatic roller-coaster emotions that come with being a teenager: “Chet had to write to her. Or she would disappear into a black, hopeless abyss.” The theme does get overworked, however, and readers may tire of Francie’s self-absorption; at times, she seems more embarrassed by her dad than worried about him. Also overworked to the point of tedium are sentence fragments and many sentences beginning with “And.” It’s meant to convey urgency and drama, but overuse robs the technique of effect. A screenwriter and film editor, Schubert uses her insider knowledge well to provide an intriguing background for Francie, friends, and family among the nonfamous entertainment world of struggling bands and costume assistants. Another plus—Chet and Eddie aren’t black hat/white hat romantic choices but complex individuals.
A well-described setting adds strength to this coming-of-age novel.Pub Date: Feb. 4, 2017
ISBN: 978-0-9985202-0-9
Page Count: 316
Publisher: Earnest Parc Press
Review Posted Online: April 13, 2017
Kirkus Reviews Issue: May 15, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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