Although it may not satisfy as a novel, its characters will no doubt resonate with teen readers who share their struggles...
A new group of students join Mr. Ward’s poetry class in the companion novel to Bronx Masquerade (2003).
A group of black, white, Asian, and Latinx high school students in Mr. Ward’s class practice the art of poetry in preparation for a weekly open-mike reading each Friday. Through poetry, the students navigate their concerns and fears about themselves, their families, and their futures. As they prepare for the class’s culminating event—a poetry slam competition—the students bond and grow more comfortable revealing themselves through their poems. Each student’s story is introduced and explored in rotating first-person chapters. There’s brown (not black) Puerto Rican Darrian, an aspiring journalist who lost his mother to cancer; 16-year-old Jenesis, a blue-eyed, blonde, black girl who worries what will happen when she ages out of the foster-care system at 18; Chinese-American Li, who hides her love of poetry from her parents; African-American Marcel, whose father wasn’t the same when he returned home from prison; and several others. Unfortunately, the characters’ personal struggles remain largely static throughout the novel, and there’s no overarching plot or compelling conflict among them. Much of the dialogue feels forced and doesn’t ring true as the voices of present-day teens; aside from a few poignant moments, the students’ poetry tends to be heavy-handed.
Although it may not satisfy as a novel, its characters will no doubt resonate with teen readers who share their struggles and aspirations. (Fiction. 12-16)Pub Date: Feb. 13, 2018
ISBN: 978-0-399-24688-3
Page Count: 224
Publisher: Nancy Paulsen Books
Review Posted Online: Nov. 21, 2017
Kirkus Reviews Issue: Dec. 15, 2017
Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers...
A harrowing tale of survival in the Killing Fields.
The childhood of Arn Chorn-Pond has been captured for young readers before, in Michelle Lord and Shino Arihara's picture book, A Song for Cambodia (2008). McCormick, known for issue-oriented realism, offers a fictionalized retelling of Chorn-Pond's youth for older readers. McCormick's version begins when the Khmer Rouge marches into 11-year-old Arn's Cambodian neighborhood and forces everyone into the country. Arn doesn't understand what the Khmer Rouge stands for; he only knows that over the next several years he and the other children shrink away on a handful of rice a day, while the corpses of adults pile ever higher in the mango grove. Arn does what he must to survive—and, wherever possible, to protect a small pocket of children and adults around him. Arn's chilling history pulls no punches, trusting its readers to cope with the reality of children forced to participate in murder, torture, sexual exploitation and genocide. This gut-wrenching tale is marred only by the author's choice to use broken English for both dialogue and description. Chorn-Pond, in real life, has spoken eloquently (and fluently) on the influence he's gained by learning English; this prose diminishes both his struggle and his story.
Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers will seek out the history themselves. (preface, author's note) (Historical fiction. 12-15)Pub Date: May 8, 2012
ISBN: 978-0-06-173093-1
Page Count: 224
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: April 15, 2012
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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