A transfixing confessional about the secret lives of dangerous girls.
Unsavory deeds at a girl’s preparatory academy shatter a rare friendship between two students.
Debut novelist de Gramont (stories: Of Cats and Men, 2001) employs an elegiac voice in this memorable if uneven novel based on the plethora of prep school scandals. After she’s caught in bed with her impossibly decent boyfriend John Paul, teenaged Catherine Morrow is forcibly enrolled at the Esther Percy School for Girls, an austere New England institution whose effect is akin to putting all the rotten eggs in one basket. There she develops a life-altering bond with fiery redhead Skye Butterfield, the spoiled but defiant daughter of the region’s Kennedy-esque senator, Douglas. “Some people can’t help but pull you into their messes,” warns Catherine’s former best friend Susannah, and Skye quickly proves it with increasingly erratic behavior. Fueled by a voracious appetite for drugs and attention, Skye joins an environmental protest to purposefully derail her father’s burgeoning political power; is nearly attacked while hitchhiking with an innocent roommate; and viciously tempts Mr. November, an unbalanced male teacher whose wife left because of Skye’s machinations. Any story that begins with its heroines cutting lines of cocaine on a toaster oven can’t end well. But the author inhabits her placid protagonist Catherine and her ill-fated counterpart to dramatic effect. It’s difficult not to like the well-meaning Catherine despite her unwise choices (the urge to wave her away from self-destructive Skye arises frequently). This is especially true during the novel’s denouement, as Skye betrays her one true friend and then pulls her final disappearing act. A subplot involving Catherine’s halfhearted pursuit of an equestrian championship is distracting, as is Susannah’s wildly improbable scheme to smuggle drugs from Venezuela to New England with the help of a dim-witted boyfriend. But when de Gramont focuses her gaze on her naïve, doomed muses, the book soars.
A transfixing confessional about the secret lives of dangerous girls.Pub Date: June 10, 2008
ISBN: 978-1-56512-565-0
Page Count: 288
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2008
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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