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WE ARE THE NEW ROMANTICS

An entirely unromantic and unapologetic ode to doing what you want when you want—to hell with the consequences.

Debut about an ambitious party girl and her borderline hustler best friend who take Europe by storm.

The two party kids, DJ and Amy, are young Brits who—after a drunken New Year’s found them both dumped and disconsolate—decide to light out for the Continent, determined to live fast, not work, and grab as much as they can in the drinking/drugging/screwing department. They tell their story in tradeoffs, DJ giving his side and Amy coming in to refute half of what he’s just said. Though friends for years, they have a rocky relationship, illustrated by the fact that the story opens with DJ fellating Amy’s current boyfriend “under the table of some stinking club in not so gay Paris.” The two of them aren’t long for Paris in any case, with DJ upset with Amy for having actually gone and taken a job, while he believes himself to be sticking to their agreement by getting his money by theft and turning tricks. Soon, they’re in Madrid, rooming with a couple of drag cabaret performers, then not much later decamping for the Auvergne, where they’re saddled with Marilyn, a screechy young college boy who will finally follow them back to Paris, selling drugs and causing a rift between Amy and DJ. The tale is an epic of supreme selfishness, with DJ barely able to comprehend that there might be things he won’t be allowed to take, men who won’t want to sleep with him, situations where he won’t get his way. Amy appears moderately more mature, but it’s fleeting. There’s little chance to catch one’s breath between all the clubbing and random hook-ups, with the British author determined to keep his characters spiraling downward into a black hole of narcissistic self-obsession until they crack (or not—it’s not a very moral sort of story).

An entirely unromantic and unapologetic ode to doing what you want when you want—to hell with the consequences.

Pub Date: Dec. 15, 2004

ISBN: 0-7475-6593-7

Page Count: 216

Publisher: Bloomsbury UK/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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