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WE ARE THE NEW ROMANTICS

An entirely unromantic and unapologetic ode to doing what you want when you want—to hell with the consequences.

Debut about an ambitious party girl and her borderline hustler best friend who take Europe by storm.

The two party kids, DJ and Amy, are young Brits who—after a drunken New Year’s found them both dumped and disconsolate—decide to light out for the Continent, determined to live fast, not work, and grab as much as they can in the drinking/drugging/screwing department. They tell their story in tradeoffs, DJ giving his side and Amy coming in to refute half of what he’s just said. Though friends for years, they have a rocky relationship, illustrated by the fact that the story opens with DJ fellating Amy’s current boyfriend “under the table of some stinking club in not so gay Paris.” The two of them aren’t long for Paris in any case, with DJ upset with Amy for having actually gone and taken a job, while he believes himself to be sticking to their agreement by getting his money by theft and turning tricks. Soon, they’re in Madrid, rooming with a couple of drag cabaret performers, then not much later decamping for the Auvergne, where they’re saddled with Marilyn, a screechy young college boy who will finally follow them back to Paris, selling drugs and causing a rift between Amy and DJ. The tale is an epic of supreme selfishness, with DJ barely able to comprehend that there might be things he won’t be allowed to take, men who won’t want to sleep with him, situations where he won’t get his way. Amy appears moderately more mature, but it’s fleeting. There’s little chance to catch one’s breath between all the clubbing and random hook-ups, with the British author determined to keep his characters spiraling downward into a black hole of narcissistic self-obsession until they crack (or not—it’s not a very moral sort of story).

An entirely unromantic and unapologetic ode to doing what you want when you want—to hell with the consequences.

Pub Date: Dec. 15, 2004

ISBN: 0-7475-6593-7

Page Count: 216

Publisher: Bloomsbury UK/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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