by Noel Rae ‧ RELEASE DATE: Feb. 20, 2018
Essential for students of American slavery and antebellum history.
Eyewitness testimonies to the culture and commerce of slavery, America’s original sin.
Slavery was, in the words of a Southern circumlocution, a “peculiar institution.” In America, it was also an institution extending deep into the past, two centuries and more before the Civil War that ended it. In this gathering of personal, firsthand accounts, coupled with smart commentary, popular historian and editor Rae (People's War: Original Voices of the American Revolution, 2011, etc.) looks into that past. Near the beginning of the book is a tale by a slave trader in Africa who purchased captives from “a country called Tuffoe”—perhaps Togo—for “the value of twenty shillings sterling for every man, in cowries…and ten shillings for a woman, boy, or girl.” During the American Revolution, the British promised freedom to slaves only to return them to their masters in defeat given that the terms of surrender mandated that “any property obviously belonging to the inhabitants of these states…shall be subject to be reclaimed.” Within a couple of generations, by the account of a touring British journalist, the slave economy was at its apex. And it was extremely costly, tying up an enormous quantity of capital that would otherwise have gone into hiring labor and enriching the economy as a whole, by virtue of which “the whole country would have been advanced at least a century beyond its present condition.” That’s a fascinating premise, one of many that arise from this overstuffed book. It’s certainly a more fruitful one than the notion of the “lost cause,” which Rae traces to another journalist, a Southerner named Edward Pollard, who lamented the supremacy of the Northern cause and people, who were “coarse and inferior in comparison with the aristocracy and chivalry of the South.” Given the culture’s apparent need to readjudicate that conflict, this book and its wealth of documents and reports make a welcome, ready reference.
Essential for students of American slavery and antebellum history.Pub Date: Feb. 20, 2018
ISBN: 978-1-4683-1513-4
Page Count: 608
Publisher: Overlook
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Julie Scelfo illustrated by Hallie Heald ‧ RELEASE DATE: Oct. 25, 2016
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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by David McCullough ‧ RELEASE DATE: May 5, 2015
An educational and inspiring biography of seminal American innovators.
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A charmingly pared-down life of the “boys” that grounds their dream of flight in decent character and work ethic.
There is a quiet, stoical awe to the accomplishments of these two unprepossessing Ohio brothers in this fluently rendered, skillfully focused study by two-time Pulitzer Prize–winning and two-time National Book Award–winning historian McCullough (The Greater Journey: Americans in Paris, 2011, etc.). The author begins with a brief yet lively depiction of the Wright home dynamic: reeling from the death of their mother from tuberculosis in 1889, the three children at home, Wilbur, Orville, and Katharine, had to tend house, as their father, an itinerant preacher, was frequently absent. McCullough highlights the intellectual stimulation that fed these bookish, creative, close-knit siblings. Wilbur was the most gifted, yet his parents’ dreams of Yale fizzled after a hockey accident left the boy with a mangled jaw and broken teeth. The boys first exhibited their mechanical genius in their print shop and then in their bicycle shop, which allowed them the income and space upstairs for machine-shop invention. Dreams of flight were reawakened by reading accounts by Otto Lilienthal and other learned treatises and, specifically, watching how birds flew. Wilbur’s dogged writing to experts such as civil engineer Octave Chanute and the Smithsonian Institute provided advice and response, as others had long been preoccupied by controlled flight. Testing their first experimental glider took the Wrights over several seasons to Kitty Hawk, North Carolina, to experiment with their “wing warping” methods. There, the strange, isolated locals marveled at these most “workingest boys,” and the brothers continually reworked and repaired at every step. McCullough marvels at their success despite a lack of college education, technical training, “friends in high places” or “financial backers”—they were just boys obsessed by a dream and determined to make it reality.
An educational and inspiring biography of seminal American innovators.Pub Date: May 5, 2015
ISBN: 978-1-4767-2874-2
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: March 15, 2015
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