by Nomi Eve ‧ RELEASE DATE: Oct. 2, 2000
Erratic, often lyrically overpowering, bountifully imagined. This isn’t the Jewish One Hundred Years of Solitude, but one...
Strong echoes of Aleichem and Singer sound throughout this ambitious first novel, a piecemeal portrayal of a Jewish family in Europe, the Holy Land, and America from the 1830s to the present day.
The dual narrative is initially awkward: brief factual summaries (under the heading “My Father Writes”) offer capsule versions of longer stories told by a narrator eventually identified as “Nomi.” There follows a rich parade of colorful characters and dramatic incidents: some lavishly developed, others quickly sketched, many given a pronounced magical-realist coloring. Eve begins in Jerusalem with the figures of Rabbi Yochanan Schine and his adulterous wife Esther, then moves on (back and forth among Russia, Jerusalem’s Old and New Cities, and several other key locations)—in a manner that sometimes seems as haphazard as it is chronological and calculated—to focus successively on the happy marriage of “Avra the Thief” and her husband Shimon, an orchard worker in the village of Petach Tikvah (“the citrus-growing center of the Jewish Settlement”); the contrasting fates of their twin sons Zohar and Moshe, growing up during the flowering of Arab-Israeli tensions in the 1920s; the suspected murder, in 1851, of an esteemed ancestor; Zohar’s wife Miriam the seamstress, who “sews” stories both real and imaginary into the garments she creates; their participation in an underground illegal immigration movement during the (1940s) British Mandate in Palestine—an activity mocked by the “disappearance” of their deformed, in effect discarded youngest son Gabriel; and the dream-haunted, “uprooted” life of Gabriel’s brother (and narrator Nomi’s father) Eliezer, in Jerusalem and America. The metaphor of grafting is employed (and explained, in a concluding “manual of orchard terms”) to describe how this novel separates, splices, and otherwise connects the individual stories—even while acknowledging the ultimate mystery and unknowability (“Family chronology defies consciousness”) of the souls herein both preserved in memory and lost to history.
Erratic, often lyrically overpowering, bountifully imagined. This isn’t the Jewish One Hundred Years of Solitude, but one suspects Eve may yet be capable of producing it.Pub Date: Oct. 2, 2000
ISBN: 0-375-41076-7
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
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by Nomi Eve
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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