A novel that carefully presents an unusual situation, offering plenty of poignant moments along the way.


In Eklund’s debut novel, a middle-aged cancer patient discovers a startling secret about her family while searching for information about her past.

After enduring an abusive childhood and, later, her own divorce, Jenna Waring pursued a successful career in social work; raised her son, Drew; and got happily married to her high school sweetheart. Now, as she approaches 50, her life is upended by a devastating diagnosis: stage 4 non-Hodgkin’s lymphoma. As she begins the process of arranging treatment, telling the news to her family, and coming to terms with her condition, she’s buoyed by a new source of happiness—a previously unknown 3-year-old granddaughter named Violet. Jenna made the discovery through a DNA-sequencing service that listed them as close relatives. After corresponding with Violet’s mother, Maddy Kansel, Jenna learns that Violet was conceived using an anonymous sperm donor, who turns out to be Jenna’s son. Jenna has tremendous love for her son, but because of Drew’s reserved nature and difficulty expressing emotion, their relationship is somewhat delicate. Out of fear about Maddy’s motives, Drew forbids his mother from having any further contact with Violet. Jenna must now determine whether she can have a relationship with her granddaughter without driving her son away while knowing that her time left with her family is limited. Over the course of the novel, hints of magical realism, in the form of prophetic dreams, lend the story a mysterious quality and draw focus to considerations of the afterlife. Eklund’s treatment of the moral, social, and legal implications of DNA-sharing technology is also balanced and thought-provoking. Even more striking is the presentation of Jenna’s condition; her progression of emotions, from dismay to resolve and much in between, is relatable, and she retains an admirable humor and warmth of character throughout. The supporting cast, which includes Jenna’s husband, Sam; her best friend, Eric; and her beloved sister, Mary Grace, is fairly well conceived. However, the most stirring scenes are those between Jenna and Violet, as the elder woman rediscovers some of herself in her young granddaughter.

A novel that carefully presents an unusual situation, offering plenty of poignant moments along the way.

Pub Date: Oct. 5, 2019

ISBN: 978-1-983581-34-2

Page Count: 391

Publisher: CreateSpace

Review Posted Online: Oct. 5, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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