An entertaining historical romance about courageous people.


In Gautreau’s historical novel, a World War II veteran looks back on the war years and the love that he had for a beautiful woman in the French Resistance.

Even though he’s 92, Henry Budge hasn’t slowed down very much. He still takes his beloved dog, Arlequin, for walks along the Boston waterfront, and he regularly goes to the gym. A great adventure awaits, however, as he’s planning on going to Normandy for the 70th anniversary of D-Day. When Henry was injured in France during World War II, he was rescued by members of the French Resistance. A beautiful violin player named Élodie captured his heart as he joined her on a mission to guide Jewish children to England. But now, the elderly Henry has a hard time remembering details about her: “I can never tease out memories of her beyond a half-lidded blur, scumbled images, murky as if seen through a film of cracked varnish.” In Boston, Henry comes across a sexual assault in progress, and although he heroically beats the attacker with his cane, he ends up getting shot himself. New recollections from the war flood his mind, but his severe injury puts his travel plans in jeopardy. However, Henry is undeterred, as his memories of Élodie urge him on. Over the course of this novel, Gautreau shows Henry to be an amiable and worthy protagonist for a wartime story—one that’s awash in historical detail but always leans toward romance. Throughout the narrative, the old man’s voice is at once passionate and annoyed by generic platitudes, and Gautreau consistently manages to make the story’s transitions across decades seamless. The author effectively describes the horrors of war and the many French villages with sharp clarity, and the luminous prose succeeds in making the love story at the center of the narrative strong enough to withstand the chaos.

An entertaining historical romance about courageous people.

Pub Date: May 21, 2019

ISBN: 978-1-943075-61-4

Page Count: 300

Publisher: Blank Slate Press

Review Posted Online: April 30, 2020

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The World War II Hollywood setting is colorful, but it’s just a B picture.


An ambitious young Italian woman makes her way among the émigrés of 1930s and ’40s Hollywood.

Maria Lagana has come to Los Angeles after her father is sentenced to confino—internal exile—for his anti-fascist advocacy in Mussolini’s Italy. Living with her mother in the Italian American neighborhood of Lincoln Heights—also home to a trio of no-nonsense great-aunts forever dressed in black—Maria finds work as a typist at Mercury Pictures International, working in the office of studio head Artie Feldman, a fast-talking showman with a collection of toupées for every occasion. In time, the letters from her father stop, and Maria becomes an associate producer, Artie’s trusted right hand, as well as the secret lover of Eddie Lu, a Chinese American actor relegated to roles as Japanese villains. When a young Italian immigrant turns up at her door introducing himself as Vincent Cortese, Maria’s past—and the mystery of what happened to her father—crashes into her present. Like the author’s earlier novels, the award-winning A Constellation of Vital Phenomena (2013) and The Tsar of Love and Techno (2015), this one builds a discrete world and shows how its denizens are shaped—often warped—by circumstance. But the Hollywood setting feels overfamiliar and the characters curiously uninvolving. While the prose frequently sings, there are also ripely overwritten passages: At a party, the “thunking heels of lindy-hopping couples dimpled the boozy air”; fireworks are described as a “molten asterisk in the heavens to which the body on the ground is a footnote.”

The World War II Hollywood setting is colorful, but it’s just a B picture.

Pub Date: July 19, 2022

ISBN: 978-0-451-49520-4

Page Count: 432

Publisher: Hogarth

Review Posted Online: March 30, 2022

Kirkus Reviews Issue: April 15, 2022

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Ford raises fascinating questions, but a rushed ending too neatly ties up the answers in an unconvincing, sentimental bow.


Covering 250 years, Ford’s new novel traces the way states of consciousness involving extreme moments of pain or joy interconnect seven generations of Chinese women.

Embedded images—airplanes, ships, waves—and the occasional ghostly vision highlight how these women’s lives reverberate as the focus moves back and forth in time. In 1942 China, Faye Moy, a nurse in her 50s who’s working with American forces, feels an eerie connection to a dying young pilot in whose pocket she finds a newspaper photograph of herself as a teenager and a note in her own handwriting that says, “FIND ME.” Finding oneself and/or one’s soul mate becomes the throughline of the book. Faye’s great-grandmother Afong Moy, the first Chinese woman in America, dies in childbirth after a short career being exhibited as a curiosity in the 1830s. Faye’s mother, Lai King (Afong’s granddaughter), sails to Canton after her parents’ deaths in San Francisco’s Chinatown fire of 1892. Onboard ship she bonds with a young White boy, also an orphan, and nurses him when contagion strikes. When Faye is 14, she has an illegitimate daughter who is adopted and raised in England. Presumably that girl is Zoe Moy, who, in 1927, attends the famously progressive Summerhill School, where a disastrous social experiment in fascism destroys her relationship with a beloved poetry teacher. In 2014, Zoe’s emotionally fragile granddaughter, Greta, loses both her skyrocketing tech career and the love of her life at the hands of an evil capitalist. While several earlier Moys receive aid and guidance from Buddhist monks, Greta’s troubled poet daughter, Dorothy, turns to both Buddhism and radical scientific treatment to uncover and understand how past crises, emotional, physical, and spiritual, are destabilizing her current life in 2045. Expect long treatises on anamnesis, quantum biology, and reincarnation before traveling with Dorothy’s adult daughter in 2086.

Ford raises fascinating questions, but a rushed ending too neatly ties up the answers in an unconvincing, sentimental bow.

Pub Date: Aug. 2, 2022

ISBN: 978-1-9821-5821-7

Page Count: 384

Publisher: Atria

Review Posted Online: May 11, 2022

Kirkus Reviews Issue: June 1, 2022

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