An indelibly etched mood piece for readers who don’t insist that every action needs to provoke an equal and opposite...
A Brooklyn junkyard is the center of this first novel’s hopeless universe of dully endangered crooks.
Fat Tommy Rosselli, a.k.a. Tommy Bagadonuts, is the alleged brains behind the Troutman Street operation, part salvage-yard, part chop-shop. Stoney, his partner, is an alcoholic whose grip on reality is no tighter than his hold on his family. Their employees range from yard boss Walter to used-truck chassis buyer Jimmy the Hat to Eddie Tuco, a “Nuyorican” gofer, 18, whose refusal to join his cousin Miguel’s gang has already marked him as somebody who goes his own way. After a menacing curtain-raiser in which Tuco discovers two dead teenagers when he comes in to work, Green settles down to a leisurely, yet somehow still menacing, round of anecdotes about Stoney, Tommy, and their colleagues in the salvage business. But he takes a special interest in Tuco, because although the kid is low man on the junkyard’s totem pole, he’s the only one who’s going anywhere, even as far as the nameless prostitute down the street. Just as the hooker is looking forward only as far as her next fix of “Dr. Jack,” the drug that’s given her seller-pimp the same reputation as famed suicide enabler Dr. Jack Kevorkian, Stoney and Tommy seem to have nothing better to do than mark time and hire futile protectors as whoever killed those two kids and executed junkyard accountant Marty Cohen closes in on them. The setup screams thriller, but Green throws away one sharp, threatening incident after another—and eventually his whole plot—because he’s after something more subtly disturbing: a group portrait of despair so deep that getting killed just doesn’t seem like that much of a risk.
An indelibly etched mood piece for readers who don’t insist that every action needs to provoke an equal and opposite reaction.Pub Date: Sept. 1, 2001
ISBN: 0-06-018822-7
Page Count: 304
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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