An indelibly etched mood piece for readers who don’t insist that every action needs to provoke an equal and opposite...

READ REVIEW

SHOOTING DR. JACK

A Brooklyn junkyard is the center of this first novel’s hopeless universe of dully endangered crooks.

Fat Tommy Rosselli, a.k.a. Tommy Bagadonuts, is the alleged brains behind the Troutman Street operation, part salvage-yard, part chop-shop. Stoney, his partner, is an alcoholic whose grip on reality is no tighter than his hold on his family. Their employees range from yard boss Walter to used-truck chassis buyer Jimmy the Hat to Eddie Tuco, a “Nuyorican” gofer, 18, whose refusal to join his cousin Miguel’s gang has already marked him as somebody who goes his own way. After a menacing curtain-raiser in which Tuco discovers two dead teenagers when he comes in to work, Green settles down to a leisurely, yet somehow still menacing, round of anecdotes about Stoney, Tommy, and their colleagues in the salvage business. But he takes a special interest in Tuco, because although the kid is low man on the junkyard’s totem pole, he’s the only one who’s going anywhere, even as far as the nameless prostitute down the street. Just as the hooker is looking forward only as far as her next fix of “Dr. Jack,” the drug that’s given her seller-pimp the same reputation as famed suicide enabler Dr. Jack Kevorkian, Stoney and Tommy seem to have nothing better to do than mark time and hire futile protectors as whoever killed those two kids and executed junkyard accountant Marty Cohen closes in on them. The setup screams thriller, but Green throws away one sharp, threatening incident after another—and eventually his whole plot—because he’s after something more subtly disturbing: a group portrait of despair so deep that getting killed just doesn’t seem like that much of a risk.

An indelibly etched mood piece for readers who don’t insist that every action needs to provoke an equal and opposite reaction.

Pub Date: Sept. 1, 2001

ISBN: 0-06-018822-7

Page Count: 304

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2001

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

Did you like this book?

No Comments Yet
more