The real-life 1930s suicide of an RJ Reynolds tobacco heir is the point of departure for this mind-bogglingly tangled southern-royalty melodrama. Golden, bored Kyle King Castleton has everything, but it looks like he doesn't want it when he's found shot dead in his sleeping porch, leaving behind his boundless future, his tobacco millions, his beautiful showgirl bride Faith, and his scheming family, ``the most well known in the entire South.'' After a busybody county attorney succeeds in getting a murder indictment despite the initial impression of suicide, the sheriff's son, green deputy Wyn Ainsley, sent to New York to escort Faith back to North Carolina, ends up getting seduced by her, and the tale seems about to settle into a legal-intrigue groove. But the surviving Castletons keep turning up in subplots that run away with the story. Kyle's brother Holt plots to get his hands on the stock willed to Kyle's heirs; his sister Gaby Inscott plans to shed her husband, a tediously attentive fortune-hunter, and legalize her comfortable affair with Castleton estate manager Russell Vance; his aunt Serena Burris sees her last chance to grab the family reins. Not to be outdone, Faith announces her posthumous pregnancy, threatening an heir who'll undo the best- laid Castleton plans, and labors to keep her Rego Park family connections out of the picture while still holding entranced Wyn in her thrall. But can even a natural-born performer Faith, nÇe Helen Siegenthaler, hold center stage when she's competing with race-baiting, cross-burning, TV sex, TV social history, and enough family/romantic/political treachery for three seasons in hell? Katkov (The Judas Kiss, 1991, etc.) plots as if he were throwing every intrigue he owned into a suitcase one jump ahead of the law, and heaven help any would-be heroes who try to wrestle this juicy soap opera into the kind of shape Sidney Sheldon fans will look for—and may not even miss.
Pub Date: Jan. 8, 1996
ISBN: 0-525-93843-5
Page Count: 384
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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