A religious sequel to Dickens’ holiday classic and an ideal stocking stuffer.


Tiny Tim and The Ghost of Ebenezer Scrooge


A debut novella and sequel to A Christmas Carol explores the adult life of Tiny Tim.

In 1857 in London, it’s a week before Christmas and former curmudgeon Ebenezer Scrooge has died. In Charles Dickens’ 1843 classic, Scrooge didn’t renounce his skinflint ways until three ghosts visited him on Christmas Eve. One of the people who benefited by his transformation was a crippled boy named Tiny Tim. Tim grew up under Scrooge’s wing, healing in the process and becoming a clerk alongside his father, Bob Cratchit, at the firm Scrooge & Marley & Cratchit. The death of his mentor, however, sends Tim into a depression that robs him of faith in himself and God. Meanwhile, Becky, Tim’s childhood sweetheart, has been shunned by her own family after her marriage to a cruel man fell apart. She and her young son, James, struggle to make ends meet by selling holly on London’s chilly streets. They are barely able to eat or pay their rent, and yet Becky remains hopeful, realizing that it “was the habit of despair that ultimately condemned a soul.” When Christmas Eve arrives, Tim stays late at the offices only to be joined by a familiar, if ghostly, face. Whaler captures the essence of Dickens’ characters in brief strokes, as in the description of Scrooge, who has “white hair glistening on his head and brow above a timeworn face of cavernous folds.” The author depicts the starkness of Tim’s craving for both Scrooge and Becky with pointed metaphors, including when he “felt strangely detached as if his caring was being poured onto the ground like a pitcher of water.” The main difference between this sequel and Dickens’ classic is Whaler’s extended theme of the individual placing faith in God, who “allows difficulties in people’s lives to see their faith grow, to prepare us for a higher level of faith.” There are four original songs by the author—including lyrics and sheet music—after the story.

A religious sequel to Dickens’ holiday classic and an ideal stocking stuffer.

Pub Date: June 7, 2016

ISBN: 978-1-68254-292-7

Page Count: 98

Publisher: Tate Publishing

Review Posted Online: July 22, 2016

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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