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At The Sharp End of Lightning

OCEANLIGHT (BOOK ONE)

A fantasy series starter that hardly scratches the surface, but its vivid descriptions and remarkable characters will have...

Sprites find themselves in mortal danger when connections between parallel worlds start to wither in Bates’ debut fantasy novel.

Years after being exiled for carrying a dormant but potentially deadly illness, Helia returns to the Sprite world of Forestlight. Her fellow Sprites are understandably worried about the weakened boundary between worlds called the Thinness. Daimanland, a world populated by large, menacing creatures, is bleeding into Forestlight, and the Interfaces (or gateways) may soon be big enough for the daiman to pass through. Helia has the ability to see glimpses of the other worlds and to sense where the boundaries are. She searches the humana world in order to help a special humana, Einion Morgan Alban, who has the power to strengthen the Thinness by closing Interfaces. Sea Sprites Yalara Narika and Rasania, meanwhile, are nearly overwhelmed by a blue haze, which may be the cause of devastation they witness later in Oceanlight. The novel lyrically details innumerable elements of the Sprite worlds, from the Sea Sprites’ many rituals to Einion’s travels into other realms and times. Even the darker parts of the story sound poetic; as Yalara and Rasania stare at the aftermath of destruction, for example, the ocean sparkles “with the glint of the rising sun.” Bates expertly blends the fantastical aspects with more true-to-life particulars: Einion is afflicted with hemophilia, for example, but the symptoms largely vanish when he crosses through an Interface. However, the book sometimes feels more like an introduction to a series than its own distinct story. For instance, the villain Fimafeng, a daiman-Sprite hybrid who can take human form, is dropped from the narrative too soon. There’s also no closure for any of the subplots, and Oceanlight doesn’t play a big role in the main plot’s calamity, despite the fact that it’s name-checked in the book’s subtitle. Overall, the novel gives the impression that a lengthier story was cut short—a notion supported by glossary-appendices that feature a few terms that never appear, including, disappointingly, “Bear-cat.”

A fantasy series starter that hardly scratches the surface, but its vivid descriptions and remarkable characters will have readers hunting for the next installment.

Pub Date: Feb. 20, 2015

ISBN: 978-0993190520

Page Count: 444

Publisher: NR Bates Publishing

Review Posted Online: April 21, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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